Isaac Watts; his life and writings, his homes and friendsHood, Edwin Paxton
Religion
Isaac Watts; his life and writings, his homes and friends
Hood, Edwin Paxton
Watts, Isaac, 1674-1748
_Glory_ with all her lamps shall burn,
And watch the warrior’s sleeping clay,
Till the last trumpet rouse his urn,
To aid the triumphs of the day.
But he had a simpler manner, and even in his stronger expressions rose to
the majesty of simple strength, as in the following:
LAUNCHING INTO ETERNITY.
It was a brave attempt! advent’rous he,
Who in the first ship broke the unknown sea:
And leaving his dear native shores behind,
Trusted his life to the licentious wind.
I see the surging brine: the tempest raves:
He on the pine-plank rides across the waves,
Exulting on the edge of thousand gaping graves:
He steers the winged boat, and shifts the sails,
Conquers the flood, and manages the gales.
Such is the soul that leaves this mortal land,
Fearless when the great Master gives command.
Death is the storm: she smiles to hear it roar,
And bids the tempest waft her from the shore:
Then with a skilful helm she sweeps the seas,
And manages the raging storm with ease:
(Her faith can govern death) she spreads her wings
Wide to the wind, and as she sails she sings,
And loses by degrees the sight of mortal things.
As the shores lessen, so her joys arise,
The waves roll gentler, and the tempest dies,
Now vast eternity fills all her sight,
She floats on the broad deep with infinite delight,
The seas for ever calm, the skies for ever bright.
The weight and grandeur of his thoughts, the radiance of his perception,
the far-reaching, remote grandeur of the objects of his verse, must
always be taken into account, pondered, and allowed an adequate influence
over the reader’s mind, whenever attempts are made to estimate what he
was as a sacred poet. Not the less was his mind in ready accord with
objects of Nature. He had seen, probably, little of Nature in her more
grand and exciting moods. Men like him, horn to London life, and only
occasionally escaping thence to some near and quiet watering-place, saw
little of those ample pages which, in our own or other lands, are now
unrolled to almost every designing eye. But his verses abundantly show
with what perfect sympathy every object touched him, how all the smaller
or greater things of Nature impressed the subtle sense within him, and
awoke the mystery and the awe. The following lines, not composed as a
hymn, but included in his “Miscellaneous Thoughts,” have always seemed to
us very cogently to illustrate this:
Public-domain text, read in full here on John Shaqi.
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