London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
Mrs. Maddison shook her head. Her troubles were increased by the arrival
just then of that offer of a place at six-and-twenty pounds. Isabel knew
nothing of Lady Kent’s proposal, and was willing to go away; but the
mother’s heart had been set in commotion by her friend’s talk. There
were days of miserable uncertainty, and ultimately Isabel herself was
taken into consultation. Lady Kent, who was greatly struck with the
girl, and foresaw congenial excitement in a plan which her native
kindness made agreeable, repeated her proposal in serious form. Isabel
(so she spoke in private to Mrs. Maddison) was made to shine in society.
She had just been “finished off” with the ordinary accomplishments, and
if she now “came out” there was much probability of her attracting a
suitable husband. She should not incur the least danger, that Lady Kent
would guarantee. What was the use of beauty to a poor girl if not to get
her an establishment in life? There was no disgrace in standing up and
proclaiming oneself to be disposed of; the folly and the danger would
lie in trying to keep out of sight. Whether was it better, to be pursued
by rascals as a beautiful governess, or to meet face to face with honest
men who would be likely to fall in love with beauty for its own sake, or
at all events be willing to purchase it respectably? In this way was
the mother talked into compliance. Isabel herself had only to subdue her
exultation. With the beginning of the season she and Lady Kent opened
the campaign together.
The details are not of importance. The seat of war is a familiar region
to my readers, and the engagements reported year after year so closely
resemble each other that they have become by this time rather tedious in
the chronicling. Lady Kent’s prophecy was fulfilled. Isabel had at least
three possible offers, and she selected that of Mr. Eustace Clarendon.
For this gentleman’s qualifications see above.
Public-domain text, read in full here on John Shaqi.
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