London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“There you have Mrs. Clarendon’s last word,” remarked Ada Warren,
without looking up. Her voice contrasted strangely with those which had
been just heard; it was hard in tone, giving clear utterance to each
syllable, as if to accentuate the irony in her observation.
“Certainly,” said Isabel, with good humour; “if Rhoda is content to let
it be.”
Still biting her leaf, Miss Meres held her head a little on one side,
and, after glancing at Ada, turned her eyes again upon Mrs. Clarendon.
“But are you quite sure it is so, Mrs. Clarendon?” she urged. “I mean
that ladies don’t go on to the stage? It used to be so, no doubt, but
things have been changing. I’m sure I’ve heard that both ladies and
gentlemen are beginning to take to acting nowadays. And I can’t see why
they shouldn’t. It seems to be better than----”
She stopped, and looked a little embarrassed.
“Better than doing nothing at all, you were going to say,” Isabel
supplied; “like myself, for instance? Perhaps it is. But I fancy that
the ladies who go on to the stage are generally those who, for some
reason or other, have lost their places in society.”
“With a large S,” put in Ada, still without looking up.
“Yes, a very large one,” assented Isabel, smiling.
“And suppose,” exclaimed Rhoda, suddenly bold, “I don’t care anything
about the society which spells itself with a large S.”
Mrs. Clarendon shook her head indulgently.
“My child, you can’t help caring about it.”
“Not if I find something I like better outside it?”
Mrs. Clarendon crossed her hands upon the paper, and sighed a little
before speaking.
“You think it would be nice to become a Bohemian, and live in contempt
of us poor subjects of Mrs. Grundy. Rhoda, those Bohemians struggle for
nothing so hard as to get into society. If they are successful, the
best fruit of their success is an invitation to a lady’s ‘at home,’
the unsuccessful ones would give their ears to be received in the most
commonplace little drawing-room. Now you have already what they strive
for so desperately. You’ll see all this plainly enough when you know a
little more of the world.”
Rhoda turned away, and recommenced her pacing.
“What does your father say to it?” Mrs. Clarendon asked, after a short
silence.
“Father? Oh! he shrugs his shoulders and looks puzzled. Poor father
always does that, whatever the difficulty. If I ask him whether the
butcher hasn’t charged us too much a pound for veal, he shrugs and
looks puzzled. I believe he’d do just the same if I asked him whether
to-morrow wasn’t going to be the Day of Judgment.”
Isabel raised her forefinger with a warning smile. Ada Warren laughed.
After another turn on the grass, the girl again paused before Mrs.
Clarendon.
“Mr. Lacour told me the other day that he thought of going on to the
stage himself. He didn’t see any harm in it.”
As she spoke, Rhoda examined the border of her hat.
Public-domain text, read in full here on John Shaqi.
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