London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“The _Queen?_ It interests me. There’s something so very concrete about
such writing. I like the concrete.”
“The first time I ever heard so learned a term applied to so frivolous
a publication. After all, Rhoda, there may be more in us poor creatures
than we gave ourselves credit for.”
“Do tell me,” said Robert, as he laid down the paper, “what is a--I hope
I may ask--what is a ‘graduated plastron’?”
“Oh, this is dreadful!” laughed Isabel. “Come along, the carriage is
waiting; we’ll discuss graduated plastrons on our way.”
“Are we not to have the pleasure of Miss Warren’s company?” Robert
asked, as they entered the phaeton.
“Ada never goes out with us,” was Mrs. Clarendon’s answer as she took
the reins and prepared to drive.
There was no additional guest at dinner; the evening was helped along
by Rhoda’s playing and singing. Her voice was good, and she had enjoyed
good teaching; this at Mrs. Clarendon’s expense. It was one of many
instances in which Isabel had helped her friends the Meres, her aid
being given in a manner of which she alone had the secret--irresistible,
warm-hearted, delicate beyond risk of offence. Ada sat in the room, but,
as usual, had a book in her hands.
“You read much,” said Robert, seating himself beside her and perforce
obtaining her attention.
“It is a way of getting through life,” the girl replied, rather less
abruptly than she had hitherto spoken.
“That means that life is not quite so attractive to you as it might be?”
he returned, under the cover of the music which had just begun.
“I doubt whether life is attractive to any one--who thinks about it.”
She had folded her hands on the pages and was leaning back in her chair.
Robert examined her and came to the conclusion that she was not quite so
disagreeable in countenance as the irregularity of her features at
first led one to think. She had large eyes, and, to meet them, was to
be strangely impressed, almost as with the attraction of beauty. Her
evening dress was of black satin, a richer and more tasteful garment
than he had expected she would wear, judging from her appearance earlier
in the day. Her hair, too, was very carefully arranged. The foot, which
just showed itself, was not small, but beautifully shaped. Ornaments she
had none.
“That is censure clearly directed against myself,” Robert said, with
good humour. “And yet I fancy I have thought a good deal of life.” Ada
did not seem disposed to pursue the argument.
“What are you reading?” Asquith inquired. It was a volume of Comte. She
showed the title without speaking.
“You are a Positivist?”
“No; merely an atheist.”
The confession was uttered in such a matter-of-fact tone that Robert was
disposed to think she used the word just for the pleasure of startling
him. There was, in fact, a barely perceptible glimmer in her eyes as she
sat looking straight before her.
“That’s rather dogmatic, isn’t it?” he remarked, smiling. “The word
Agnostic is better, I fancy.”
Public-domain text, read in full here on John Shaqi.
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