London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“For having shown me my ideal woman, the woman in whose existence I
believed, though I never hoped to see her. I was tired of the women who
cared for and studied nothing but the art of fooling men; I wanted a
new type, the woman of sincerity. I don’t know whether you’ve noticed
it--I’m something of an artist in my way. I can’t paint, and I can’t
write, but I believe I have the artist’s way of looking at things. I
live on refinements of sensation--you know what I mean? There’s nothing
good or valuable in me; I’ve no moral force; I’m just as selfish as I
can be; but I have a sort of delicacy of perception, I discriminate in
my likings. Now you’ve heard all sorts of ill of me, of course; you’ve
been told I pitched away ten thousand pounds in less than a couple of
years; that I’ve------ Well, never mind. But, Miss Warren, I haven’t
lived a life of vulgar dissipation; I have not debased myself. My senses
are finer-edged than they were, instead of being dulled and coarsened.
I’ve led the life a man ought to lead who is going to be a great
poet--though, as far as I know, I haven’t it in me to be that. But
at least I understand the poetical temperament. I couldn’t help my
extravagance. I was purchasing experience; the kind of experience my
nature needed. Others feed their senses grossly; that would have cost
less money, but my tendencies are not to grossness. I had certain
capacities to develop, and I obeyed the need without looking very far
ahead. Capacities of enjoyment, I admit; entirely egoistic. An egoist;
I pretend to be nothing better. But believe me when I tell you that
the admiration of a frank egoist is worth more than that of people who
pretend to all the virtues. It is of necessity sincere.”
Ada had seated herself whilst these remarkable utterances were falling
upon her ear. Lacour knelt upon a chair near her, leaning over the back.
“You are leaving England?” she said, quietly reminding him of the
professed object of his visit.
“A place has been offered me in a house of business in Calcutta; I have
no choice but to take it. Or, rather, there is an alternative; one I
can’t accept.”
“Will you tell me what that is?”
She looked up, and he smiled sadly at her. His face just then had all
that a man’s face can possess of melancholy beauty. The fineness of its
lineaments contrasted remarkably with Ada’s over-prominence of feature.
Hers was the individual countenance, his the vague alluring type.
“My brother,” he replied, “had been persuaded to offer me an allowance
of two hundred a year, on condition that I do what I originally
intended, read for the Bar.”
“And that you can’t accept? Why not?”
Public-domain text, read in full here on John Shaqi.
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