London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“In other words, you are nursing your weakness,” said Gabriel
unsympathetically. He was seldom sympathetic. It may have been as a
tonic that Kingcote relished his society. “I perfectly believe what
you say; you are capable of going to the devil. But remember that other
people cannot devote themselves to hanging on at your coat-tails; you
must put the drag on yourself.”
Gabriel always worked during their sittings together; idleness was
abhorrent to him.
“I,” he went on, throwing himself back in his chair, “should have had as
natural an alacrity in going to the devil as any man. I was made for it.
I am by nature the most indolent fellow alive. I fight it, and I shall
go on fighting.”
It was stimulating, but without practical direction; nor was the artist
to blame for this. Kingcote was not adapted for any one of the plain
categories of money-earning labour. Only the benevolence of fate could
come to his aid.
He was a sad man to regard in these days. Seldom or never came a smile
to his face; the springs of his natural vivacity seemed broken. He
was not consciously melancholy, but then he did not give himself
opportunities of brooding. The character of his countenance was a
complete hopelessness; there was no forward-looking, no gleam of the joy
of living. Anxiety gained upon him as the months succeeded each other,
and when he was actively anxious his face had a look of age, which was
more painful to observe than the passionate misery of youth. He often
said that he felt he had lived his life, and that was indeed the
impression his habitual look conveyed. When he turned back to the past,
he saw hills and valleys; henceforth his path was on a dull plain,
with the latter darkness upon the horizon. Formerly, when he said in
conversation that he had come to know himself, and that he acquiesced
in his inefficiency, it was always with the pleasurable expectation of
being contradicted; there was a youthful insincerity in his confession.
At present he made no such statements, as a general thing, and for the
melancholy reason that they would no longer have been insincere; he
believed in truth that his character was an inefficient one. He had not
an ambition left. He had no passion left, which was worse.
Public-domain text, read in full here on John Shaqi.
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