London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
And that was the most marked quality of the letters themselves. In them
was sounded by turns every note of love. There was the grace of pure
worship, the lyric rapture of passion and desire, the soft rhythm of
resigned longing, the sweet sadness of apprehension; but the note of
an exquisite tenderness was ever recurrent, with it the music began
and ended. They were the love letters of a poet, one in whom melancholy
mingled with every emotion, whose brightest visions of joy were shadowed
by brooding mortality. There was nothing masterful, no exaction,
no distinctly masculine fervour. If a dread fell upon him lest the
happiness promised was too great, it found voice in passionate entreaty.
He told her much of his past life, its inner secrets, its yearnings, its
despair. Of her infinite pity she had chosen him; she would not let
him fall again into utter darkness? Love did not stir in him vulgar
ambitions; to dwell in the paradise of her presence was all that his
soul desired; let the world go its idle way. Too soft, too tender;
another would have read his outpourings with compassionate fear,
dreading the future of such a love. He visioned a happiness which has no
existence. Men win happiness, but not thus. To woo and win as pastime in
the pauses of the world’s battle, to make hearth and home a retreat in
ill-hap, a place of rest between the combats of day and day, to kindly
regard a wife for her usefulness, and children for the pride they
satisfy, thus, and not otherwise, do men come to content. Content that
is not worth much, perhaps; but what is the price current of misery?
Public-domain text, read in full here on John Shaqi.
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