He was the only friend Kingcote had retained from early years. Gabriel’s father was a bookseller in Norwich, and the two boys had been companions at their first school. That their intimacy had survived to the present day was not easily accounted for, except perhaps by the fact that neither was fond of seeking acquaintances; knowing each other well, and continuing by the chances of life within reach of each other, they had found in this intercourse enough mutual support to keep their human needs from starving, and had been prevented by it from seeking new associates; it happens occasionally that, with reticent men, a friendship of this kind will terminate in a double isolation. In all other essentials of character they were very unlike. Kingcote we know pretty well by this time--his amiability, his dangerous passiveness, his diffidence, his emotional excess. Not one of these qualities manifested itself in Clement Gabriel. His temper was frankly sour; Kingcote had on occasions visited him and found him indisposed to speak. “Talk to me as much as you like,” he said, when at length there came a question, “but don’t expect me to answer; I shall say bearish things, and I’d rather not.” They sat together for an hour, and the artist did not open his lips. It was his habit to declare that he loved idleness, that at times it cost him unheard-of efforts to go on with his work; that it would have been easier to cut off his hand than to take up the pencil. For all that, no man in London worked more continuously or with fiercer determination. He had not the physique of a robust man; at eighteen he had been declared consumptive; but the will in him was Samson. Ill-health was not allowed to affect his mind, and symptoms of positive disease he appeared to have outgrown; he was in the habit of saying that he could not afford the luxury of a delicate chest, any more than of delicate food. An end he had set before himself, an ideal in art--it was equivalent in his case to an ideal in life--and only the palsy of death would check his progress. Emotions he seemed to have none, outside the concerns of his pursuit. In friendship he made no pretence of warmth; he carried to excess the reserve of an Englishman, and even handshaking he would escape if he could. That he had ever been in love (he was thirty) could not for a moment be supposed, and he spoke with contempt of men who could not live without “women and brats” to hang about them and weight them in the race. “You will never marry?” Kingcote asked him, and the reply was: “Never! I have work to do.” Not a little of arrogance he displayed now and then; as, for instance, in adding after a moment’s pause, “What wife had Michael Angelo?”