Isabel of Castile and the making of the Spanish nation, 1451-1504Plunket, Ierne L. (Ierne Lifford)
History
Isabel of Castile and the making of the Spanish nation, 1451-1504
Plunket, Ierne L. (Ierne Lifford)
Isabella I, Queen of Spain, 1451-1504; Spain -- History -- Ferdinand and Isabella, 1479-1516
On the splendour of Isabel and her Court we have already remarked; but
it is significant that, at Tordesillas in 1520, the Commons nevertheless
looked back to the reign of the Catholic sovereigns as a time of
economy, complaining to the young Emperor that the daily expenses of his
household were ten times as great as those of his grandparents.
Ferdinand and his Queen were gorgeous in their dress and ceremony; but
it was the considered maintenance of their ideal of dignity not the
careless extravagance of those who spend what others have earned, and
therefore fail to realize its true value.
They did not let themselves be imprisoned behind the bars of pomp
[wrote the Royal Council to Charles, soon after Ferdinand’s death] for
it seemed to them that there was greater security in the good
reputation of their government than in the magnificence of their
household.
It has been urged as an instance of parsimony in contrast to their
personal expenditure that the Catholic sovereigns, in spite of their
professed love of learning, did not with the exception of the College at
Avila found or endow any school or college; and had the education of
their land depended solely on the support of the royal treasury such
criticism would be just. It will be seen however that, given the
momentum of royal encouragement, private enterprise, often almost as
well endowed as sovereignty and with far less claims upon its purse, was
quite capable of acting “Alma Mater” to the would-be scholars of Spain.
The civil wars of Henry IV.’s reign had, it is true, developed muscle
and sword-play rather than the literary mind; but the blows suffered by
culture at the hands of anarchy, though heavy, had not proved mortal.
Men were still alive who recalled the artistic traditions of the Court
of John II., Isabel’s father, and rejoiced to see their revival under
his daughter. It was not only that Isabel herself, by her own studies
and the careful education of her children, set an example which an
obsequious Court must necessarily follow; but her whole attitude to life
expressed her belief in the importance of this learning that the average
young noble would otherwise have held in little esteem.
In 1474 the art of printing was introduced into Spain; and before the
end of the century presses were set up in Valencia, Saragossa,
Barcelona, Seville, Salamanca, Toledo, and all the large cities of the
two kingdoms. The Queen, quick to realize the power this invention might
become, granted freedom from taxation to German and Italian printers of
repute; just as she had encouraged the advent of picked engineers and
artisans that the best brains of Europe, whatever the line of their
development, might be at her disposal. Spanish books, classics, and
classical translations were published; while, in contrast to the heavy
tariffs usually levied on imports, foreign books were allowed free
entrance into the home markets.
Public-domain text, read in full here on John Shaqi.
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