We thus see that the bells used by Christians come to them directly from the Buddhist Thibetans and Chinese. The beads and rosaries have the same origin, and have been used by Buddhist monks for over 2,300 years. The _Linghams_ in the Hindu temples are ornamented upon certain days with large berries, from a tree sacred to Mahadeva, which are strung into rosaries. The title of “nun” is an Egyptian word, and had with them the actual meaning; the Christians did not even take the trouble of translating the word _Nonna_. The aureole of the saints was used by the antediluvian artists of Babylonia, whenever they desired to honor or deify a mortal’s head. In a celebrated picture in Moore’s _Hindoo Pantheon_, entitled, “Christna nursed by Devaki, from a highly-finished picture,” the Hindu Virgin is represented as seated on a lounge and nursing Christna. The hair brushed back, the long veil, and the golden aureole around the Virgin’s head, as well as around that of the Hindu Saviour, are striking. No Catholic, well versed as he might be in the mysterious symbolism of iconology, would hesitate for a moment to worship at that shrine the Virgin Mary, the mother of his God![145] In Indur Subba, the south entrance of the Caves of Ellora, may be seen to this day the figure of Indra’s wife, Indranee, sitting with her infant son-god, pointing the finger to heaven with the same gesture as the Italian Madonna and child. In _Pagan and Christian Symbolism_, the author gives a figure from a mediæval woodcut--the like of which we have seen by dozens in old psalters--in which the Virgin Mary, with her infant, is represented as the Queen of Heaven, on the crescent moon, emblem of virginity. “Being before the sun, she almost eclipses its light. Than this, nothing could more completely identify the Christian mother and child with Isis and Horus, Ishtar, Venus, Juno, and a host of other Pagan goddesses, who have been called ‘Queen of Heaven,’ ‘Queen of the Universe,’ ‘Mother of God,’ ‘Spouse of God,’ ‘the Celestial Virgin,’ ‘the Heavenly Peace-Maker,’ etc.”[146] Such pictures are not purely astronomical. They represent the male god and the female goddess, as the sun and moon in conjunction, “the union of the triad with the unit.” The horns of the cow on the head of Isis have the same significance.