Island Nights' EntertainmentsStevenson, Robert Louis
General
Island Nights' Entertainments
Stevenson, Robert Louis
Islands of the Pacific -- Fiction; Short stories
Well, this kind of talk put in the evening, which was the best of it;
but of course it didn’t change my notion, and the next day, with my gun
and a good knife, I set off upon a voyage of discovery. I made, as near
as I could, for the place where I had seen Case come out; for if it was
true he had some kind of establishment in the bush I reckoned I should
find a path. The beginning of the desert was marked off by a wall, to
call it so, for it was more of a long mound of stones. They say it
reaches right across the island, but how they know it is another
question, for I doubt if anyone has made the journey in a hundred
years, the natives sticking chiefly to the sea and their little
colonies along the coast, and that part being mortal high and steep and
full of cliffs. Up to the west side of the wall, the ground has been
cleared, and there are cocoa palms and mummy-apples and guavas, and
lots of sensitive plants. Just across, the bush begins outright; high
bush at that, trees going up like the masts of ships, and ropes of
liana hanging down like a ship’s rigging, and nasty orchids growing in
the forks like funguses. The ground where there was no underwood looked
to be a heap of boulders. I saw many green pigeons which I might have
shot, only I was there with a different idea. A number of butterflies
flopped up and down along the ground like dead leaves; sometimes I
would hear a bird calling, sometimes the wind overhead, and always the
sea along the coast.
But the queerness of the place it’s more difficult to tell of, unless
to one who has been alone in the high bush himself. The brightest kind
of a day it is always dim down there. A man can see to the end of
nothing; whichever way he looks the wood shuts up, one bough folding
with another like the fingers of your hand; and whenever he listens he
hears always something new—men talking, children laughing, the strokes
of an axe a far way ahead of him, and sometimes a sort of a quick,
stealthy scurry near at hand that makes him jump and look to his
weapons. It’s all very well for him to tell himself that he’s alone,
bar trees and birds; he can’t make out to believe it; whichever way he
turns the whole place seems to be alive and looking on. Don’t think it
was Uma’s yarns that put me out; I don’t value native talk a
fourpenny-piece; it’s a thing that’s natural in the bush, and that’s
the end of it.
Public-domain text, read in full here on John Shaqi.
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