Heaven-inspired code; and, while Greece was fast progressing towards ochlocracy, Judaea remained a theocracy. The Greek was an egoist. He disliked uniformity. Although in the direction of his private life he voluntarily submitted to a variety of state regulations such as the citizen of a modern country would resent as an irksome interference with the liberties of the individual, yet, judged by the standard of antiquity, the Greek was anything but amenable to control, and, as time went on, his attitude became little better than that of a highly civilised anarchist. There were limits beyond which the Greek would never admit his neighbour’s right to dictate his conduct any more than his thoughts. He suffered from an almost morbid fear of having his individuality merged in any social institution. He would rather be poor in his own right than prosper by association with others. Discipline was the least conspicuous trait in his character and self-assertion the strongest. The Greek knew everything except how to obey. The Jew, on the other hand, found his chief happiness in self-effacement and submission. His everyday life, to the minutest details, was regulated by the Law. He was not even allowed to be virtuous after his own fashion. The claims of the individual upon the community were only less great than the claims of the community upon the individual. The strength of Hebraism always lay in its power of combination, the weakness of Hellenism in the lack of it. Equally striking is the contrast discerned between the aesthetic ideals of the two races. Much in Hebrew imagination is couched in forms which would lose all their beauty and freshness, if expressed in colour or marble; much that would look grotesque, if dragged into the daylight of pure reason. Its effect depends entirely on the semi-darkness of emotional suggestion. Now the Greek hated twilight. He had no patience with the vague and the obscure in imagination any more than in thought. Hence artistic expression was nothing to the Jew; everything to the Greek. Judaism shunned pictorial representation; Hellenism worshipped it. And, as art in antiquity was largely the handmaid of religion, this diversity of the aesthetic temperament led to an irreconcilable religious antagonism. The Jew looked upon the pagan’s graven images with abhorrence, and the pagan regarded the Jew’s adoration of the invisible as a proof of atheism.