Great Britain -- Social conditions -- 19th century -- Fiction
Sixth hour. Robinson was going mad. The blackness and solitude and
silence and remorse and despair were more than his excitable nature
could bear any longer. He prayed Hawes to come and abuse him. He prayed
Fry to bring the jacket to him. “Let me but see a man, or hear a man!”
He screamed, and cursed, and prayed, and dashed himself on the ground
and ran round the cell wounding his hands and his face. Suddenly he
turned deadly calm. He saw he was going mad--better die than so--“I
shall be a beast soon--I will die a man”--he tore down his collar--he
had on cotton stockings; he took one off--he tied it in a loose knot
round his naked throat--he took a firm hold with each hand.
And now he was quiet and sorrowed calmly. A man to die in the prime of
life for want of a little light and a word from a human creature to keep
him from madness.
Then as the thought returned, clinching his teeth, he gathered the ends
of the stocking and prepared with one fierce pull to save his shaken
reason and end his miserable days. Now at this awful moment, While his
hands griped convulsively the means of death, a quiet tap on the outside
of the cell door suddenly rang through the dead stillness, and a moment
after a human word forced its way into the cave of madness and death--
“BROTHER!”
When this strange word pierced the thick door and came into the
hell-cave, feeble as though wafted over water from a distance, yet
distinct as a bell and bright as a sunbeam, Robinson started, and quaked
with fear and doubt. Did it come from the grave, that unearthly tone and
word?
Still holding the ends of the stocking, he cried out wildly in a loud
but quavering voice:
“Who--o--o calls Thomas Sinclair brother?” The distant voice rang back--
“Francis Eden!”
“Ah!--where are you, Francis Eden?”
“Here! within a hand's-breadth of you;” and Mr. Eden struck the door.
“Here!”
“There! are you there?” and Robinson struck the door on his side.
“Yes, here!”
“Ha! don't go away, pray don't go away!”
“I don't mean to. Take courage--calm your fears--a brother is close by
you!”
“A brother!--again! now I know who it must be, but there is no telling
voices here.”
“What were you doing?”
“What was I doing? Oh! don't ask me--I was going mad--where are you?”
“Here!” (rap).
“And I am here close opposite; you won't go away yet a while?”
“Not till you bid me--compose yourself--do you hear me?--calm yourself,
compose yourself.”
“I will try, sir!--thank you, sir--I will try. What o'clock is it?”
“Half-past twelve.”
“Night or day?”
“Night.”
“Friday night, or Saturday?”
“Thursday.”
“How came you to be in the prison at this hour?”
“I was anxious about you.”
“You were what?”
“Fearful about you.”
“What! did you give up your sleep only to see after me?”
“Are you not glad I came?”
“Is a shipwrecked sailor glad when a rope is flung him? I hold on to
life and reason by you!”
“Is not this better than sleeping?--Did you speak?”
Public-domain text, read in full here on John Shaqi.
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