"No, you are to do just as you like in the matter, we shall be very glad
to see you if you should alter your mind, and I hope you will. And now
what news of Miss Tremlow? Is she really getting better, or still
thinking of Goody Grey?"
"She sat up to-day for the first time, and is I think decidedly
improving, but her nerves have been sadly shaken. Miss Bennet tried to
persuade her to go downstairs to-day; but I really must say she had not
strength for the exertion."
"I miss Julia sadly this dull weather, and I wish she would think of
others besides Miss Tremlow; she devotes nearly the whole day to her."
"Is not her sister as merry and cheerful?"
"Anne is all very well, but thinks only of pleasing herself, she never
helps entertain; you will scarcely see her in Miss Tremlow's, or anybody
else's sick room. And now if you are going out, I will not detain you
any longer. Perhaps you will kindly look into the conservatory as you
return, and bring me one or two flowers, and you, Fanny, can come with
me," and taking Fanny's hand she left the room, as Amy went to put on
her bonnet.
CHAPTER VIII.
THE FLOWER.
"I saw the light that made the glossy leaves
More glossy; the fair arm, the fairer cheek,
Warmed by the eye intent on its pursuit;
I saw the foot that, although half erect
From its grey slipper, could not lift her up
To what she wanted; I held down a branch
And gathered her some blossoms."
LANDOR.
Amy went for a walk in the grounds; there being plenty of time before
the evening closed in, as Julia had purposely returned early. A solitary
walk is not much calculated to raise and cheer the spirits, and Amy's,
though not naturally dull or sad, were anything but cheerful during her
ramble. Miss Tremlow's questions had recalled sad scenes and memories
which she had tried to forget; but some things are never forgotten; out
of sight or laid aside for a time they may be, until some accident, or
circumstance slight and trivial perhaps in itself, recalls them; and
then there they are as vivid and fresh as ever, holding the same place
and clinging round the heart with the same weight and tightness as ever;
until again they fade away into the shade; crossed out, as a pen does a
wrong word, yet the writing is there, though faintly and imperfectly
visible, whatever pains we take to erase it.
Public-domain text, read in full here on John Shaqi.
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