Fathers and daughters -- Fiction; Social classes -- England -- Fiction
"We might have gone into the billiard-room and heard politics. I heard
them going on through the door a little while ago. Mr. ... what's his
name?--the politician...."
"Mr. Ramsey Tomes?"
"Mr. Ramsey Tomes. I gathered that he was giving details of his great
scheme of Reciprocal Interdependent Taxation of Imports--what he
touched upon at dinner last night...."
"Don't let me disturb the chess!" says a passer through the room. It
is Lady Arkroyd with an armful of some form of embroidery which no
one is on any account to assist her in carrying to the drawing-room
beyond. But what she means is, "Don't arrest my progress. Mind your
own business." Challis makes a convulsive suggestion of willingness to
assist the Universe, but doesn't mean anything at all by it; and her
ladyship floats away, leaving him normal. But his plunge, overdone from
dramatic motives, has knocked the board over. The Fates seem to league
together to throw cold water on this ill-starred game. Judith conveys
the fact by a shrug, but adds a smile, that it may be understood there
is no _amertume_ in the situation. Further, she says she can hear Tea.
A sense that Life's problem is solved for the moment mixes with a
consciousness of hairbrush-time come again, and Mr. Challis disperses
to reassemble presently and enjoy it.
How it is pouring, to be sure! And how grateful one feels to
it--abstraction though it be--for doing it in earnest, and making an
end of all doubts whether we may not get out for a turn later. Nobody
is going to do that to-day.
Challis encounters young Lord Felixthorpe on the stairs, coming from
the billiard-room. He is always amiable and well-mannered, this young
nobleman, and manages to make everyone think he has their good opinion
of him at heart. But he often seems to be seeking their sympathy with
his derision of someone else. Or of himself, for that matter--so
Challis goes on thinking, for all this is what passes in _his_ mind;
the story does not vouch for its truth. During their slow ascent of the
great staircase together, he is more than half-convinced that the young
toff really cares about his views on motoring.
"I am quite aware," says his lordship, pausing at a corner, as though
one might go upstairs at any slowness, even with the young man Samuel
and a colleague agglomerating gilded porcelain within hearing as
tea-factors. "I am quite aware, my dear Mr. Challis, that the motor-car
is at present an object of execration to the public. But I sympathize
so keenly that I feel bound to spend as much time as possible in the
only place in which I am not tempted to forget myself and use bad
language against motorists. I refer to the motor-car itself. Believe
me that the only thing that can reconcile a well-constituted mind to
any practice essentially damnable is the practice itself. I shall look
forward to your accompanying me in my Panhard, after a profusion of
curses perfectly reasonably directed against it--in which you will have
my sincerest sympathy."
Public-domain text, read in full here on John Shaqi.
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