"Alicia!" I exclaimed. "Can you never learn to be more reticent about these--these delicate personal matters?" "He isn't a bit delicate!" she responded mildly. "In fact he's awfully rough. He hounds me, but I can look out for myself." I felt the subject too dangerous to pursue. As my dear father used to say, most unpleasant subjects thrive on reproof. So I diverted her attention from her immediate theme. "What picture did he purchase that is worthy of such comment?" I inquired. "It is called the Madonna of the Lamp by some bird named Raphael, last name not mentioned," replied the young heathen cheerfully. "What's all this about Monte Carlo to-morrow?" But I had taken the newspaper from her. "The Madonna of the Lamp!" I exclaimed. "Why, Alicia, child, that is one of the most famous paintings in the world. It was done in Italy, hundreds of years ago, by one of the greatest artists that ever lived. The extraordinary part of such a sale is that any private individual should own it. Its proper place is a museum. I am surprised it ever got out of Italy. They have a strict law which prohibits any important works of art from being taken out of the country, you know." "I do not know," said Alicia. "But you'd think they'd be glad to get such a price for a thing as old as that, wouldn't you? Now if it was an original by Gibson or Christy----" But I did not attend to the remainder of her sentence. My eye had fallen upon another item of even greater importance, which had evidently escaped her attention. It was small and inconspicuously placed, but its interest was overwhelming. It ran thus. I copy from the original: "SCARPIA PANELS STOLEN "Calais, March 15th. The commissioner of police here was informed last night that the four famous panels by Scarpia had been mysteriously removed from the château belonging to Baron Richt at Deux Arbres, seventeen miles from this city. The house has been rented to Lord and Lady Ellis Gordon for the past two years. The uttermost mystery surrounds the disappearance of the four panels, which have been one of the show features of the place. How the panels could disappear in the brief interval between the announcement of dinner and the return of the guests to the drawing-room is one of the most baffling features of the case. The fact of the theft was discovered by one of the house guests, the Ducca di Monteventi. Every effort will be made to discover the criminals, for whose capture Lord Gordon has already offered a large reward." That was all, but as Peaches put it, it was "an eyeful." In other words, it was sufficient. Or almost so, for, of course, our native feminine curiosity was enormously piqued. We stared at each other in amazement for a moment, and then Peaches heaved a long sigh.