In my youth, following the precepts of my father and seeking knowledge
of the world through the medium of literature, I came upon the works of
a lady of rank whose writings had for me the greatest fascination. As to
what her actual name was I have to this day remained in ignorance, and
her title, The Duchess, is all that I identify her by. But this
estimable lady, while somewhat given to the recounting of scandalous
episodes and the misfortunes peculiar to innocent maidens, had a wealth
of descriptive power when she undertook the description of rich and
aristocratic mansions or the interiors of castles of the less modest
variety. But nothing ever recorded by her, not set forth for public
inspection in the Boston Museum, could compare with the sumptuousness of
Mr. Markheim's establishment.
I had been prepared for something very fine, but this gorgeous replica
of a famous Italian villa built upon terraces, its lovely low white
façades rising in a symmetrical group one above the other, the whole
nestling into the budding verdure of the hillside, its formal gardens
descending step by step almost to the broad sweep of the Hudson below,
was a veritable dream-palace.
And the interior! Words almost fail me when I seek to describe it.
Perhaps the most fitting thing I can say of it is that it was a home
good enough for Peaches. Her great height, her gold-and-marble beauty,
here found at last a fitting habitat. And then when I saw that little,
comparatively speaking, Markheim man trotting about in front of her and
giving her the place with a gesture as he displayed each treasure in
turn, I felt sick and faint in my mind. And yet he was most kind and had
never given me the least cause to criticize him, and certainly the house
was enough to tempt any girl. I sighed, however, to think of the day
when she would be married and living there.
"Mr. Markheim--Sebastian, I mean," I said--Mr. Pegg and I followed in
the wake of the happy couple as they made the tour of the
house--"Sebastian, this place looks as if you had dug up the rich heart
of Italy and transplanted it to America!"
Sebastian laughed.
"You have the right idea, Miss Freedom! The right idea--yes!" he
exclaimed with pride. "More than half my collection is Italian--and if I
do so say myself, it has taken a lot of patience and trouble to gather
it--not to speak of the cost in money. They have a strict law against
taking objects of art out of their country, you know, and it's been nip
and tuck getting hold of a lot of this stuff--smuggled of course. Oh,
don't look so shocked! If it's genuine it's smuggled--at the Italian
end. But one doesn't call attention to the fact except in the privacy of
one's own family!"
"It sure is swell!" said Mr. Pegg.
Sebastian laughed again--a sound which never got him favor with me--and
opened the door into the newest addition to the house--the library wing,
which he had remodeled for the especial purpose of housing the Madonna
of the Lamp.
Public-domain text, read in full here on John Shaqi.
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