It was a Lover and His LassOliphant, Mrs. (Margaret)
General
It was a Lover and His Lass
Oliphant, Mrs. (Margaret)
Scotland -- Social life and customs -- 19th century -- Fiction
For nearly an hour he said no more; the little click of the reel, the
sweep of the water, the occasional leap of a fish, the multitudinous
hum of insects were all the sounds about. Lewis seated himself on the
grass, and began to justify his title of artist by beginning a sketch
at once. He had a pretty amateur talent, and could accomplish without
much difficulty the kind of sketch which seems to promise great things.
The promise was never fulfilled, but that mattered little. The bold
cliff opposite, the mass of rock half way across the stream, which at
that point lashed the rapid water into fury, the deeper shadow under
the bank, the blaze of light where the trees opened, and flickering
intermixture of light and shade where the foliage was thicker, gave
exactly the picturesque effect necessary for such a composition as
amateurs love.
As he sat on the grass, sketching this unfamiliar landscape, with
the silent figure by his side, manipulating his line, and the rush
of the water in his ears like a new language, Lewis could not but
smile to himself at the strange revolution in his own thoughts and
surroundings. His connections had been entirely urban. Old historical
towers, churches, and palaces had been the shrines at which he had paid
his devotions. Of Nature he knew next to nothing, and to think that
his first acquaintance with her should be made on the banks of the Tay
was strange indeed. The Tiber would have been more likely, that yellow
stream to which its sons paid a most undeserved compliment when they
hailed the noble Tay as its resemblance. But there was something in the
coolness and sweetness of this still hour which moved Lewis strangely.
He had been more used to the cicali in the trees than to the endless
twitter of the northern woods, the perpetual concert in which "the
mavis and the merle were singing," and to avoid the grass as perhaps
full of snakes, and to fear the sun as it is feared where its fury
gives sudden death. He sat in the full blaze of it now with a pleased
abandonment of all precautions. It was altogether like a pleasant dream.
"Is that a house behind the cliff high up among those trees?" he said.
He could not help thinking of a similar corner of old masonry peering
through the olive groves on a slope of the Apennines; but how different
this was! "And who may live there, I wonder?" he added, pausing to look
sideways at his sketch, in the true artistic _pose_.
Public-domain text, read in full here on John Shaqi.
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