Italian Harpsichord-Building in the 16th and 17th CenturiesShortridge, John D.
History
Italian Harpsichord-Building in the 16th and 17th Centuries
Shortridge, John D.
Harpsichord -- History
Institution
1694 9-7/8 C-c''' Harpsichord 8'8'4' Nicolaus Smithsonian
(minus C#) de Quoco Institution
9-3/4 C/E-a'' Clavicytherium 8'8' Anonymous Smithsonian
Institution
[b]10-3/8 C/E-c''' Clavicytherium 4' Anonymous Boston Museum
(Ottavina) of Fine Arts
11 C/E-c''' Polygonal 8' Anonymous Smithsonian
virginal Institution
[a] This length is approximate. It is double the length of the shortest
string on the instrument.
[b] In order to arrive at a meaningful average value for the string
lengths of the nontransposing group, it was necessary to double the
measured lengths of the pitch _C_ strings of the three instruments tuned
an octave higher.
-------+----------+---------
Figure | Negative | Catalog
| Number | Number
-------+----------+---------
1 | 56322 | 326,905
2 | 46792 | 303,544
3 | 49355A | 303,544
4 | 49355B | 303,544
5 | 49356A | 303,544
6 | 49356 | 303,544
7 | 49356D | 332,173
8 | 49356D | 332,173
9 | 49357A | 332,173
10 | 49357 | 332,173
11 | 49355C | 332,173
12 | 46795 | 303,545
-------+----------+---------
GPO: 1970 O--380-228
For sale by the Superintendent of Documents, U.S. Government Printing
Office, Washington 25, D.C. Price 25 cents.
FOOTNOTES:
[1] Michael Praetorius, _Theatrum Instrumentorum_, Wolfenbuettel, 1620,
pl. 14.
[2] _Ibid._, pl. 6.
[3] Querinus van Blankenburg, _Elementa Musica_, The Hague, 1739.
[4] Translation by Arthur Mendel in "Devices for Transposition in the
Organ before 1600," _Acta Musicologica_, 1949, p. 33.
[5] Sibyl Marcuse, "Transposing Keyboards on Extant Flemish
Harpsichords," _Musical Quarterly_, July 1952.
[6] Michael Praetorius, _Syntagma Musicum_, Wolfenbuettel, 1614-1620,
vol. 2 (Organographia), chapter 2.
[7] Translation by Arthur Mendel in "Pitch in the 16th and early 17th
Centuries, Part II," _Musical Quarterly_, April 1948.
[8] Marin Mersenne, _Harmonie Universelle_, Paris, 1636, p. 101.
Public-domain text, read in full here on John Shaqi.
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