In the very dawn of my recollections there is the memory of one
of childhood’s long, long springs—when the days are all blue and
silver overhead, and golden haze in the distance, and live emerald
underfoot—when my old Maria used to convey me in the morning all
the way from Villa Negroni on the Esquiline to Villa Borghese at
Porta del Popolo, there to play in the grass till the sun began to
sink towards St. Peter’s. I was three years old, and there was as
yet no all-important baby brother to whose existence my own was to
be subordinated a year later. Nobody had yet started to train and
discipline me, and each sun that rose shone through just so many hours
of Paradise. To Maria I was sun and moon, and if I was happy she was
happy, but there was one occupation that kept her busy hour after hour
in the distant villa, while I rolled on the grass—the picking of wild
chicory for her supper salad. I can see her now, bent double, her
good-natured dark face quite flushed with excitement as she pounced
on the tender shoots that cropped up everywhere through the turf, till
the red handkerchief in which she tied them up would hold no more, and
she would slip it over her wrist, pick me up in her arms, and climb
the tiers of the amphitheatre to reach our favourite luncheon room, a
clear bubbling fountain in the avenue of ilex trees which crowned the
ridge behind it. Here, close to the fountain, we had our midday meal,
with the birds singing overhead and the wind dancing through the ilexes
so that the ground was all a moving arabesque of sun and shade—the
sweet fragrant ground that I could dig my fingers into to bring up
handfuls of the gem-like ilex acorns that I loved so much. When the
meal was over and my little silver mug had dipped up a drink for me
from the fountain, I used to fall asleep in Maria’s arms to her queer
lullabies—“Fringa, fringa!” or “Io vorrei ché alla luna ci s’andasse
in carretella per védé le donne di lassù!” It always seemed to me that
I woke up when she stopped singing, and I could not understand why
Maria, with her head against a tree-trunk, was snoring happily and had
to be waked up herself. But our sylvan siesta had lasted an hour or
two; the sun was no longer overhead, but streaming in floods of level
gold through all the lower branches, turning the turf and moss into
live velvet, and flushing the statues’ pale cheeks to a semblance of
life. Then, with many a halt for gathering anemones and violets, and
some running away on my part to hide in the intricacies of the marble
grottoes which burrow behind the rococo temple fountain at the first
parting of the great avenue, we wandered towards the entrance, avoiding
the avenue itself and threading our way through the little woods, till
we came out by “Napoleon’s Tomb”—the exact copy of the original one
at St. Helena, weeping willow and all—till the great iron gates came
in sight, and we had to re-enter the city again. Sometimes Maria was
Public-domain text, read in full here on John Shaqi.
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