Very different is the anemone of Villa Doria, far away across the city,
on the Janiculum. It too nestles beneath the stone-pines, in the fine
short grass, but it is a patrician bloom, each flower perfect, with
broad polished petals of pure ivory or vivid scarlet or monsignore
purple, diverging from a heart as black as jet. It is chary of growth
and keeps close to the ground, and you must tread delicately or you
will crush some yet unopened buds. It meant a good deal to some of
us—I wonder if the others remember? One did. Far away in China, just
before my eldest boy was born, there blew to me across the world a
film of Honiton lace, and when I spread it out, there was a garland of
Villa Doria anemones worked in the red West Country that is the Italy
of England, and sent as a greeting by a comrade of the vanished Roman
days. Why don’t we all die when we are young and sweet and true?
But to return—(for the —th time?)—to my very much strayed sheep—the
old October entertainments in the Villa Borghese. Those who have not
lived in them would find it hard to understand what that month means to
the children of the grape countries. It is the very crown of the year
in Romagna, indeed all over Italy. The heats of summer, the stifling
languors of scirocco, are over and gone; the air is divinely cool and
bright, and everything sparkles in a sun that warms but no longer
scorches; the wind comes dancing over the mountains, like a song,
rustling the trees and shaking little showers of bronzed leaves down on
one’s head. In the vineyards the vines were stripped of most of their
leaves in August to let the grapes bake in the sun till their hearts
are like syrup in the black tight-drawn skins. Now, if the year is a
good one, the rain came after the Feast of the Assumption to soften and
swell the purple covering to all but bursting point, and the few leaves
that hang on the vines have turned scarlet and yellow, so that they
look like huge gaudy butterflies hovering round the long pear-shaped
clusters of fruit. The strong wilful “ceps” is like fretted gold in the
sunshine; every bunch that is brought to one’s table must be of perfect
shape and have two or three inches of that corrugated stem to carry
it by and two leaves at its head for wings; but by the first day of
October the mere cutting for market is over, and the real business of
the vintage begins, when the great wains go lumbering down the alleys
of the vineyard, drawn by meek white oxen who move slowly but plunge
into the rich loose soil up to the fetlock at every step.
Public-domain text, read in full here on John Shaqi.
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