Stop at one of these houses and ask for hospitality, and you will
find out what the word really means. I have often thought of it when I
was sitting through huge official dinners where the great ones of the
earth were arranging its destinies over the champagne and truffles—with
the murder of a nation in their hearts. The commanded smile, and the
cold watchful eyes—the men fencing with words for rapiers, and we
women watching every play of the shrouded steel and pretending to talk
amiable nothings to each other; the gasp of relief at parting, and the
consignment to everlasting perdition of the adversary, which broke from
our worried mate when the door of the brougham had been clapped to and
we could sink back on the cushions as we rolled away! Then would return
a vision of some halt in the hills at home, of the dark cavernous
kitchen with its freshly sprinkled brick floor and its bunches of
herbs hanging from the high blackened beams overhead shedding their
dry fragrance on the air, so cool and refreshing on entering from the
burning midday sunshine outside. “Favorisca!” cries the “Sposa”—she
may be eighteen or eighty, but that is her title from her wedding day
forward.—“Condescend to enter! Let the signori be accommodated!” The
rush-bottomed chairs are set out on the loggia in the shade, the boys
are sent to fetch ice-cool water from the well, and, as the bucket goes
splashing down into the invisible flood and comes up all diamonds in
the sun, “Sposa” brings out four or five heavy glasses, freshly rinsed,
in the fingers of one hand and a straw-bound fiaschetta of her own
wine in the other. “Vino sincero, signori miei!” she assures you as
she sets it down on the deal table already spread with the clean cloth
that smells of rosemary. Ay, a “sincere wine,” with no “dope” in its
crimson or topaz depths, and the welcome is as sincere as the wine. She
pours it out, smiling, her handsome head and rich costume standing out
picturesquely against the dark doorway behind her, within which one of
her girls is kneeling on the bricks, washing freshly pulled lettuce for
your salad in a great copper bowl, hand-beaten and reflecting the light
from every one of its red-bronze facets. Everything in the kitchen is
of beaten copper; these people would as soon think of cooking in any
other metal as of sleeping in cotton sheets—a degradation the poorest
scorns to put up with.
Public-domain text, read in full here on John Shaqi.
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