flannel, and fine table linen—my mother always sent for to one of these
Leghorn merchants, and I fancy it is due to the little English-speaking
community that the town is generally known by that barbarous travesty
of its Italian name. In our times it has, of course, all the unsightly
riches of a great modern military and commercial centre—foundries,
docks, ship-yards, fortifications, naval arsenals, and all the rest
of it—but its real attractions lie in the marvellous freshness of
its air and its unbroken sea-line, changing in tint at every hour of
the day and taking on certain splendours that I never remember seeing
elsewhere. Livorno always seems cool, for when the sun is shining his
hottest the breeze never fails, and the billows roll in and break in
laughter and thunder on the rocks and toss their spray almost to the
windows of your room, where the light comes up in a glow of green and
gold through the Venetians and the wind plays games with the clean
white curtains all day long.
But it is at evening that the Mare Ligure takes you and holds you
with a spell of its own. At sunset the wind generally dies down, and
then the sun sinks slowly over a softly-moving but untroubled sea. The
sky clears of its dancing clouds and becomes—not sky, somehow, but a
fathomless infinity of breathing rose and topaz, transparent and liquid
like jewelled wine. And every ripple and dimple of the water soaks up
the transcendent flush, swaying rhythmically, and smoothing out into
vast pools of melting mother-of-pearl, in which that living wet crimson
seems to lie like a transparent veil over deeper tints that float
beneath. When the sun is gone, the red deepens to the velvet of a dark
June rose, and the western sky is flame, not light; but hurrying night
has chilled the east behind you, and now every ripple is violet blue on
its hither side, the golden glow recedes further and further towards
the west, is sucked away in the trail of the sun at last, and then
nothing is left of the day but a forsaken sweep of primrose and the
wraith of a new-born star.
For sheer splurge of colour and light one must go further north and be
out in the Bay of Spezia some September noon, when the harbour is full
of white battleships all beaconed with signals like strung flowers,
and the bands are playing madly and salutes are crashing through the
music for some royal holiday. The white town and the green hills behind
it seem to thrill visibly in unison, and the sea is cobalt that would
make your eyes ache but for the fringe of feathery white ripples that
the breeze combs up all over its surface, and the sky is transparent
turquoise, and night seems a thousand years away. Further on yet Genoa
the Superb has a sea as blue, sky as stainless, but she dominates in
her white and emerald loveliness so that her setting is almost effaced.
One forgets to notice the steps of the throne where Sovereign Beauty
queens it so royally.
Public-domain text, read in full here on John Shaqi.
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