Then cross the plain to Venice, the witch who holds East and West in
her soft hands and plays with their riches as a millionaire’s child
might slip a rain of gold pieces from one palm to another, in idleness,
recking nothing of their value. Sea and sky, priceless palace and empty
island—it is all hers—she can never exhaust her past, and our century,
jejune and vulgar as it is, only seems to touch her to a scornful
smile. But Venice can tremble still. Once in many years there sweeps
down on her one of Nature’s handfuls of retribution—a storm that makes
her quake to her artificial incredible foundations. I saw one such.
It was in May, Venice’s most perfect month. We had been out to the
Lido that morning, bathing in water smooth as cream; there was not a
cloud in the sky. We had barely got home when inky darkness descended,
and out of it burst a gale that lashed the Grand Canal to fury, and
a machine-gun fire of hail was flung against the windows, to result,
an instant later, in a crash of broken glass and tumbling bricks that
was truly appalling. Through the tumult came shrieks and cries. Every
window in the Ducal Palace was smashed, and most of the others in the
town; when it was over—the whole thing did not last more than twenty
minutes—I went out on our balcony and picked up, from the thick layer
lying there, hailstones as big as pigeons’ eggs. The next day we went
out again to the Lido, and where a long green pergola of vines had
shaded the way to the bathing establishment now stood a bare tracery of
dry branches. Not a single leaf was left.
Public-domain text, read in full here on John Shaqi.
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