It is as hard to describe a beloved picture as a beloved face, but this
one had been seldom copied or reproduced, and it is gone, now, so I
will try. In a dark glade of the woods through which flamed red bars
of sunset, two ruffians were attacking the Saint and his companion;
Peter knelt between them in the foreground, looking up to Heaven, ere
the last blow fell, with a wonderful expression of mingled pain and
joy. The sweep of the drapery, the slight sinking to one side, showed
that his strength was gone already, but through the physical anguish
on his face there shone such radiance that one knew Heaven was already
opened to his eyes—it was not trust, it was certainty. The assassins,
great bulky brutes, towered over him, but their figures were shadowed
and dark and formless as evil itself; all the light, all the reality,
were centred on the bending head, the dying eyes, the praying hands,
the mystic cross that barred the priestly garment. I think there were
palms and angels hovering overhead; but in a very old drawing, half
life-size, of this picture—to all appearance contemporary with the
painting—that I found among my dear father’s possessions they were
absent. In the background lay the body of the martyr’s slain companion,
martyred, too, but all the glory and the promise seemed to be for
Peter—none for him. As I have said, I was only sixteen then, and knew
less about Peter the Martyr than I did about Confucius or Genghis
Khan, and for many years I wondered why the other martyr had remained
nameless and unsainted. It shows the incompleteness of my education
when I confess that it was only a year or two ago that I pieced his
story together for myself. Let some one correct me if I am wrong,
but I _think_ the neglected companion was Conrad, the confessor of
St. Elizabeth of Hungary, a man of high learning and much piety, but
to whom, on account of his harsh treatment of the “dear Saint,” the
Church refused the honours of canonisation. But we know that Conrad was
murdered for the Faith, and may be equally sure that it was owing to
St. Elizabeth’s prayers that Heaven allowed him to expiate his fault by
a heroic death.
Public-domain text, read in full here on John Shaqi.
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