From Palestrina, looking down on that September evening, the bursting
richness of it all seemed almost incredible. Right at the foot of the
hills a deep, abandoned watercourse was a golden river of standing
corn, bordered far on either side with dense greenery fringing off
into vineyards so teeming with fruit that, seen from above, it was
like a great mantle of dark amethyst patterned here and there, where
the white grapes grew, with jade. The woody slopes of the Sabines sank
into the rich carpet, and rose, away to the north, in stormy outlines,
now softened into dreamy rose and lilac, against the clear evening sky.
As the sun sank, even the cold silver of the olive trees, standing
tier above tier on their shallow terraces, took on the flush, as if
bathed in wine, and the darker foliage of oak and chestnut burned with
sombre yet vivid intensity. Then the sun touched the sea—lingered,
a ball of living crimson, for an instant, and plunged out of sight.
One star hung its newborn silver against the paling west; another and
another answered it, till all the dying blue overhead was pierced and
patterned with the faint sparklets in their eternal dance. Then from
behind the wall of peaks a broad fan of misty silver was thrown up
against the sky, growing, spreading, washing purple and crimson to one
untinted sheen; another moment, and the harvest moon heaved a golden
shoulder over the crags, rolled up, rounded itself, and hung, a great
honey-coloured globe, flooding the hills and the Campagna and the
distant sea with calm, all-embracing effulgence.
Public-domain text, read in full here on John Shaqi.
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