Itinerarium curiosum (centuria I) : $b or, an account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great BritainStukeley, William
History
Itinerarium curiosum (centuria I) : $b or, an account of the antiquities, and remarkable curiosities in nature or art, observed in travels through Great Britain
Stukeley, William
Great Britain -- Antiquities -- Early works to 1800; Great Britain -- Description and travel -- Early works to 1800
The intent of this Treatise is to oblige the curious in the Antiquities
of Britain: it is an account of places and things from inspection, not
compiled from others’ labours, or travels in one’s study. I own it is a
work crude and hasty, like the notes of a traveller that stays not long
in a place; and such it was in reality. Many matters I threw in only
as hints for further scrutiny, and memorandums for myself or others:
above all, I avoided prejudice, never carrying any author along with
me, but taking things in the natural order and manner they presented
themselves: and if my sentiments of Roman stations, and other matters,
happen not to coincide with what has been wrote before me; it was
not that I differ from them, but things did not so appear to me. The
prints, beside their use in illustrating the discourses, are ranged in
such a manner as to become an index of inquiries for those that travel,
or for a British Antiquary. I shall probably continue this method at
reasonable intervals. The whole is to invite Gentlemen and others in
the country, to make researches of this nature, and to acquaint the
world with them: they may be assured, that whatever accounts of this
sort they please to communicate to me, they shall be applied to proper
use, and all due honour paid to the names of those that favour me with
a correspondence so much to the glory and benefit of our country, which
is my sole aim therein.
It is evident how proper engravings are to preserve the memory of
things, and how much better an idea they convey to the mind than
written descriptions, which often not at all, oftener not sufficiently,
explain them: beside, they present us with the pleasure of observing
the various changes in the face of nature, of countries, and the
like, through the current of time and vicissitude of things. These
embellishments are the chief _desiderata_ of the excellent Mr. Camden’s
_Britannia_, and other writers of this sort, whose pens were not so
ready to deliver their sentiments in lines as letters: and how hard it
is for common artificers to draw from mere description, or to express
well what they understand not, is obvious from our engravings in all
sciences. I am sensible enough, that large allowances must be made for
my own performances in this kind, and some for the artificers parts
therein, who, for want of more practice in such works, cannot equal
others abroad. I know not whether it will be an excuse, or a fault, if
I should plead the expedition I used in the drawing part; but I may
urge, that a private person, and a moderate fortune, may want many
useful assistants and conveniences for that purpose. It is enough for
me to point them out; to show things that are fine in themselves, and
want little art to render them more agreeable, or that deserve to be
better done; or any way to contribute toward retrieving the noble
monuments of our ancestors; in which case only, we are behind other
the learned nations in Europe.
Public-domain text, read in full here on John Shaqi.
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