My lord Lemster’s seat, now earl of Pomfret, near Towcester, is a stately building, and stands pleasantly, encompassed with good plantations of wood, visto’s and agreeable prospects. In the grand view to the back front, beyond the garden, is a large and long canal: in the house are several curious pictures; an original, of Sir Paul Ricot; of a pillar of Persepolis, one of those sixty foot high; Perseus loosing Andromeda, by Gioseppi Cari; a copy of Galatea, from Raphael: but what highly inhances the glory of this seat, is the vast number of Roman and Greek marbles, statues, busto’s, bas reliefs, &c. part of the most noble collection of the great earl of Arundel. My lord has it in his thoughts to build a large room, or gallery, to receive this invaluable treasure; at present they are for the most part exposed to the weather in the garden. I shall cursorily name them all with the haste of a traveller, though each single piece merits a serious view, and a long description. At the end of the side terrace in the garden, and near the house, stands an intire column of marble in two pieces, fluted, taken from among the ruins of the temple of Apollo at the isle of Delos, where many now lie: this is set upon a proper base and pedestal made purposely for it: the capital is unusual, but very beautiful, and seems perfectly to answer that description which Vitruvius gives us, IV. 1. of the origin of the Corinthian capital from the conceit of Callimachus, who was pleased with the appearance of a basket covered with a tile, and luckily set upon the middle of a root of _acanthus_, or _brank ursin_, which shot up its curled leaves around it in a delicate and tender manner: upon it stands a statue, the upper part naked. In the niches of that wall along the walk are several broken statues of goddesses, naked or in fine drapery, where the mind is divided between the pleasure of seeing what remains and the grief for what is lost. Upon the stairs that descend into the garden are a great many whole and broken statues, pieces of _basso relievo_, altars, urns, tombs, &c. such as the destruction of Troy, represented in the Trojan horse, the merriment of the Trojans, the slaughter of Priamus, Achilles driving his chariot with Hector tied to it: there is another bas-relief of a battle; a figure recumbent at dinner; two figures in procession, but covered over with moss; four figures, two with Phrygian bonnets; good pieces of cornice-work, with mouldings of ovolo’s, bead-moulds, &c. a tomb, the husband and wife with the son between; a piece of Bacchanalians; the end of a tomb, or vase; a mask and revelling figures; an horseman and footman engaging. Most of these antiquities seem of the highest Greek times. Before the steps upon pedestals are two Egyptian _sphynges_ mitred, and two Muses sitting: other things thereabouts are a sea-horse in basso; a man carrying another; a capital of a pillar made of a horse’s head, with branches coming out of his