mouth like them at Persepolis, a dog’s head on one angle, and lions on the other: upon it are busts and heads: over that is a portal of a monumental stone, with a woman and two children, the tomb of some player, with fine bassos of masks, the busto of the deceased; four Genii; two lions devouring horses, finely cut: over it a priestess by the side of a temple: eight round altars or pedestals adorned with bulls heads, festoons, &c. which stand upon the piers of the stairs: upon and about them are other antiquities, such as the bottom part of Scylla; three monsters like dogs devouring three men; a receiver for an urn. Cupid asleep lies upon this. On the north side the front of the house, a tomb; another capital of a horse’s head, &c. over it a basso of Venus riding on a sea-horse, a Cupid driving; a lion over it; two Cupids, _alto relievo_: some busts over the windows; a young Nero, Faunus, &c. At the south end of the house, on the ground, an old headless statue; upon the basement, a tomb of a boy wrought in channel-work, his busto in basso upon it: over the windows a small statue; a woman with a child in her arms; a tomb; another capital from the temple of Apollo at Delos; a Greek mask. Next let us descend into the garden along the middle walk. In the parterres about the fountain stand four Greek statues very intire, bigger than the life, of most admirable art: they are dressed in matron-like robes, or outer garments, in most comely folds, yet cut so exquisitely, that the folds of the inner drapery appear, and the whole shape of the body, as if transparent: they cannot be sufficiently commended. Between them and the house on the south side, is that celebrated statue of Cicero intire, with his _sudarium_ in his right, and a scroll in his left hand: the sight of the eyes is cut hollow. I could not possibly excuse my self half a quarter of an hour’s serious view of this master-piece, frequently going round it: where so much seeming simplicity of the carver, has called forth all the fire of that divine genius that could make statues hear, as this artist has made them speak, and left an eternal monument of contention between him and the great orator: it grieved me to think it should stand a day longer in the open air. Answering to this on the left, is another statue of more robust shape and workmanship: his left hand holds a scroll, his right is laid in a passionate manner upon his breast: if sinewy muscles denote one that worked on the anvil, it may possibly be Demosthenes. The two next that correspond beyond the fountain, are Scipio Africanus and Asiaticus, in an heroic dress. Beyond, on each side the steps going down to the lower garden, are two _colossi_, Fabius Maximus the cunctator, and Archimides with a square in his hand. At each end of this cross-walk, or terrace, which terminates the middle or principal one, is built a handsome stone-work with niches and pediment supported