If I forget the tenor of our discourse I have not forgotten the immense impression made upon me by the man. As vain as a peacock, Walt looked like a Greek rhapsodist. Tall, imposing in bulk, his regular features, mild, light-blue or grey eyes, clear ruddy skin, plentiful white hair and beard, evoked an image of the magnificently fierce old men he chants in his book. But he wasn't fierce, his voice was a tenor of agreeable timbre, and he was gentle, even to womanliness. Indeed, he was like a receptive, lovable old woman, the kind he celebrates so often. He never smoked, his only drink was water. I doubt if he ever drank spirits. His old friends say "No," although he is a terrible rake in print. Without suggesting effeminacy, he gave me the impression of a feminine soul in a masculine envelope. When President Lincoln first saw him he said: "Well, he _looks_ like a man!" Perhaps Lincoln knew, for his remark has other connotations than the speech of Napoleon when he met Goethe: "Voila un homme!" Hasn't Whitman asked in Calamus, the most revealing section of Leaves: "Do you suppose yourself advancing on real ground toward a real heroic man?" He also wrote of Calamus: "Here the frailest leaves of me.... Here I shade down and hide my thoughts. I do not express them. And yet they expose me more than all my other poems." Mr. Harlan, Secretary of the Interior, when he dismissed Walt from his department because of Leaves, did not know about the Calamus section--I believe they were not incorporated till later--but Washington was acquainted with Walt and his idiosyncrasies, and, despite W. D. Connor's spirited vindication, certain rumours would not be stifled. Walt was thirty-six when Leaves appeared; forty-one when Calamus was written.