Art; Literature, Modern -- History and criticism; Music -- History and criticism
First let us ask: Who was Jan Vermeer, or Van der Meer? "What songs
did the sirens sing?" puzzled good old Sir Thomas Browne, and we know
far more about William Shakespeare or Sappho or Memling than we do of
the enigmatic man from Delft who died a double death in 1675; not only
the death of the body, but the death of the spirit, of his immortal
art. For several centuries he was not accorded the paternity of his
own pictures. To Terburg, Pieter de Hooch, Nicolas Maes, Metsu they
were credited. Even the glorious Letter Reader of the Dresden gallery
has been attributed to De Hooch, and by no less an authority than
Charles Blanc. Fromentin, of all men, does not mention his name in his
always admirable book on the art of the Low Countries; no doubt one
cause for his neglect.
This is precisely what we know of Jan Vermeer of Delft, in which
city--oddly enough--there is not a single canvas of his. In 1632 he
was born there. In 1653 he married Catherine Bolnes; he was just
twenty-one years old. His admission to the corporation of painters as
a master occurred the same year, as the books attest. In 1662 he was
elected dean of the corporation, and again in 1670. In 1675 he died,
in his forty-third year, and at the apogee of his powers.
When he became a member of the corporation of painters at Delft he
could not pay in full the initiation fee, six florins, and he gave on
account one florin ten cents--the entry in the books attests this
astounding fact. He was poor, but he had youth and genius, and he
loved.
He had also eight or ten children and lived happily--as do most people
without a history--on the Oude Langendyck, where he became at least a
local celebrity, according to a mention of him in the Journal des
Voyages, by Balthazar de Moncouys (published 1665). Moncouys also
recorded another interesting fact. "At Delft I saw the painter
Vermeer," he writes, "but none of his works were at his atelier; at a
baker's I saw a figure--for which was paid six hundred livres." At a
bakeshop! Vermeer, then, literally painted for his bread.
Public-domain text, read in full here on John Shaqi.
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