Art; Literature, Modern -- History and criticism; Music -- History and criticism
In 1696, twenty years after his death, certain of his works (forty in
the catalogue) brought only 100 florins, pictures that to-day are
worth hundreds of thousands of dollars. And in 1719 the superb Milk
Girl, now in the Rijks Museum, formerly from the Six Collection, was
sold for 126 florins (it brought $100,000 when Mr. Six sold it to the
museum), while at the same sale the mediocre Gerard Dou fetched 6,000
florins for a canvas. Even nowadays the public has not been converted
to the idea of the greatness of Vermeer. Go any time of the day into
the Mauritshuis at The Hague and you will always discover a crowd
before that clumsy, stupid bull with the wooden legs, by no means Paul
Potter's masterpiece, while the gem of The Hague gallery, the View of
Delft, with its rich pate, its flowing rhythms, its clear daylight,
seldom draws a large audience. And I do not doubt that only the
propinquity of Rembrandt's Young Saskia to Vermeer's Merry Company
(otherwise known as The Courtesan) in the Dresden gallery attracts an
otherwise indifferent public.
In 1696 there were 21 pictures of Vermeer sold at public auction in
Amsterdam. Of these 21 the experts claim to have discovered 16. But
the bother of the question is that 100 other pictures were also sold
at the same time; furthermore, the sale is said to have taken place
after the death of a venerable mediocrity, also named Vermeer, but
hailing from Haarlem. (He died in 1691.) This confusion of names may
have had something to do with the obscuring of the great Vermeer. But
he had no vogue in 1696, as the prices at the sale prove only too
well.
Vanzype gives the list, and its importance in any research of the
Vermeer pictures is paramount. Here are the 21 canvases that are
extant, and the prices paid: No. 1--A young woman weighing gold, 155
florins; 2--A milk girl, 175 florins; 3--The portrait of the painter
in his studio, 45 florins; 4--A young woman playing the guitar, 70
florins; 5--A gentleman in his chamber, 95 florins; 6--A young lady
playing the clavecin, with a gentleman who listens, 30 florins; 7--A
young woman taking a letter from her servant, 70 florins; 8--A servant
who has drunk too much asleep at a table, 62 florins; 9--A merry
company, 73 florins; 10--A young lady and a gentleman making music, 81
florins; 11--A soldier with a laughing girl, 44 florins; 12--A young
lacemaker, 28 florins; 13--View of Delft, 200 florins; 14--A house at
Delft, 72 florins; 15--A view of some houses, 48 florins; 16--A young
woman writing, 63 florins; 17--A young woman, 30 florins; 18--Young
woman at a clavecin, 42 florins; 19--A portrait in antique costume, 36
florins; 20 and 21--Two pendants, 34 florins.
Public-domain text, read in full here on John Shaqi.
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