"Dreams, Alice. My dreams crossing your brain; only dreams--dreams. Get you to bed, and sleep." And to bed she went, but _not_ to sleep. She lay awake more than an hour; and then Una emerged once more from her room. This time she was fully dressed, and had her cloak and thick shoes on, as their rattle on the floor plainly discovered. She had a little bundle tied up in a handkerchief in her hand, and her hood was drawn about her head; and thus equipped, as it seemed, for a journey, she came and stood at the foot of Alice's bed, and stared on her with a look so soulless and terrible that her senses almost forsook her. Then she turned and went back into her own chamber. She may have returned; but Alice thought not--at least she did not see her. But she lay in great excitement and perturbation; and was terrified, about an hour later, by a knock at her chamber door--not that opening into Una's room, but upon the little passage from the stone screw staircase. She sprang from her bed; but the door was secured on the inside, and she felt relieved. The knock was repeated, and she heard some one laughing softly on the outside. The morning came at last; that dreadful night was over. But Una! Where was Una? Alice never saw her more. On the head of her empty bed were traced in chalk the words--Ultor De Lacy, Ultor O'Donnell. And Alice found beneath her own pillow the little purse of embroidery she had seen in Una's hand. It was her little parting token, and bore the simple legend--"Una's love!" De Lacy's rage and horror were boundless. He charged the priest, in frantic language, with having exposed his child, by his cowardice and neglect, to the machinations of the Fiend, and raved and blasphemed like a man demented. It is said that he procured a solemn exorcism to be performed, in the hope of disenthralling and recovering his daughter. Several times, it is alleged, she was seen by the old servants. Once on a sweet summer morning, in the window of the tower, she was perceived combing her beautiful golden tresses, and holding a little mirror in her hand; and first, when she saw herself discovered, she looked affrighted, and then smiled, her slanting, cunning smile. Sometimes, too, in the glen, by moonlight, it was said belated villagers had met her, always startled first, and then smiling, generally singing snatches of old Irish ballads, that seemed to bear a sort of dim resemblance to her melancholy fate. The apparition has long ceased. But it is said that now and again, perhaps once in two or three years, late on a summer night, you may hear--but faint and far away in the recesses of the glen--the sweet, sad notes of Una's voice, singing those plaintive melodies. This, too, of course, in time will cease, and all be forgotten. CHAPTER VIII Sister Agnes and the Portrait