Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
Then she added, “We say ‘accidentally’ on father’s account; but you,
who knew her so well, may be quite sure that it was by no accident that
she perished. She died because she could never see Chariot again. Ah,
what wicked men there are in this world!”
Jack glanced at his mother, and was quite ready to agree with his
companion.
“Poor father! we thought that he could not survive the shock,” resumed
Zénaïde; “but then he never suspected the truth. When M. Maugin got his
position in Paris, we made him come with us, and we live all together
in the Rue des Silas at Charonne. You will come and see him, won’t you,
Jack? You know he always loved you; and now only the children amuse
him. Perhaps you can make him talk. But let us join him; he is looking
at us, and thinks we are speaking of him, and he does not like that.”
Ida, who was deep in conversation with M. Maugin, stopped short as Jack
approached her. He suspected that she had been talking of D’Argenton,
as indeed she had, praising his genius and recounting his successes,
which, had she confined herself to the truth, would not have taken
long. They separated, promising to meet again soon; and Jack, not long
afterward, called upon them with his mother.
He found the old ornaments on the chimney that he had learned to know
so well at Indret, the sponges and corals; he recognized the big
wardrobe as an old friend. The rooms were exquisitely clean, and
presented a perfect picture of a Breton interior transplanted to Paris.
But he soon saw that his mother was bored by Zénaïde, who was too
energetic and positive to suit her, and that there, as everywhere else,
she was haunted by the same melancholy and the same disgust which she
expressed in the brief phrase, “It smells of the work-shop.”
The house, the room she lived in, the bread she ate, all seemed
impregnated with one smell, one especial flavor. If she opened the
window, she perceived it even more strongly; if she went out, each
breath of wind brought it to her. The people she saw—even her own Jack,
when he returned at night with his blouse spotted with oil—exhaled the
same baleful odor, which she fancied clung even to herself—the odor of
toil—and filled her with immense sadness.
One evening, Jack found his mother in a state of extraordinary
excitement; her eyes were bright and complexion animated. “D’Argenton
has written to me!” she cried, as he entered the room; “yes, my dear,
he has actually dared to write to me. For four months he did not
vouchsafe a syllable. He writes me now that he is about to return to
Paris, and that, if I need him, he is at my disposal.”
“You do not need him, I think,” said Jack, quietly, though he was in
reality as much moved as his mother herself.
“Of course I do not,” she answered, hurriedly.
“And what shall you say?”
Public-domain text, read in full here on John Shaqi.
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