Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
At night the forests were very different; hunting-parties bivouacked in
the jungles, building huge fires to drive away wild beasts, who were
heard in the distance roaring horribly. The birds were aroused; and the
bats, silent and black as shadows, attracted by the fire-light, hovered
over and about it until daybreak, when they assembled on some gigantic
tree, motionless, and pressed against each other, looking like some
singular leaves, dry and dead.
In this open-air life the little prince grew strong and manly,—could
wield a sabre and carry a gun at an age when children are usually tied
to their mother’s apron-string. The king was proud of his son, the heir
to his throne. But, alas! it seemed that it was not enough, even for a
negro prince, to know how to shoot an elephant through the eye; he must
also learn to read books and writing, for, said the wise king to his
son, “White man always has paper in his pocket to cheat black man
with.” Of course some European might have been found in Dahomey who
could instruct the prince,—for French and English flags floated over
the ships in the harbors. But the king had himself been sent by his
father to a town called Marseilles, very far at the end of the world;
and he wished his son to receive a similar education.
How unhappy the little prince was in leaving Kérika; he looked at his
sabre, hung his gun against the wall, and set sail with M. Bonfils, a
clerk in a mercantile house, who sent him home every year with the gold
dust stolen from the poor negroes.
Mâdou, however, was resigned; he wished to be a great king some day, to
command the troop of Amazons, to be the proprietor of these fields of
corn and wheat, and of the palace filled with jars of palm-oil and with
treasures of gold and ivory. To own these riches he must deserve them,
and be capable of defending them when necessary,—and Mâdou early
learned that it is hard to be a king; for when one has more pleasures
than the rest of the world, one has also greater responsibilities.
His departure was the occasion of great public fetes, of sacrifices to
the fetish and to the divinities of the sea. All the temples were
thrown open for these solemnities, the prayers of the nation were
offered there, and at the last moment, when the ship set sail, fifteen
prisoners of war were executed on the shore, and the executioner threw
their heads into a great copper basin.
“Good gracious!” gasped Jack, pulling the bedclothes over his head.
It is certainly not very agreeable to hear such stories told by the
actors in them; and Jack was very glad that he was in the Moronval
Academy rather than in that terrible land of Dahomey.
Mâdou seeing the effect he had produced, dwelt no longer on the
ceremonies preceding his departure, but proceeded to describe his
arrival and life at Marseilles.
Public-domain text, read in full here on John Shaqi.
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