Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
Under the influence of his presence she was more foolish by far than
nature had made her; her piquancy forsook her, and the versatility that
rendered her so charmingly absurd was quite gone. But D’Argenton
relented, and suspended his hygienic exercise for a moment.
“I shall be most happy to recite anything, madame, at your command; but
what?”
Here Moronval interposed. “Recite the ‘Credo,’ my dear fellow,” he
said.
“Very well, then; I am satisfied to obey you.”
The poem commenced gently enough with the words,—
“Madame, your toilette is charming.”
Then irony deepened to bitterness, bitterness to fury, and concluded in
these terrific words:
“Good Lord, deliver me from this woman so terrible,
Who drains from my heart its life-blood.”
As if these extraordinary words had aroused in his memory most painful
recollections, D’Argenton relapsed into silence, and said not another
word the whole evening. Poor Ida was also thoughtful, haunted by vague
fears of the noble ladies who had so warped the gentle spirit of her
poet, so drained his heart that there was not a drop left for her.
“You know, my dear fellow,” said Moronval, as they strolled through the
empty boulevards, arm-in-arm, that night, little Madame Moronval
pattering on in front of them,—“you know if I can succeed in the
establishment of my Review, that I shall make you editor-in-chief!”
Moronval threw the half of his cargo overboard in order to save his
ship, for he saw that unless the poet was enlisted, the countess would
take no interest in the scheme. D’Argenton made no reply, for he was
absorbed in thoughts of Ida.
No man can play the part of a lyric poet, a martyr to love, without
being conscious of, and touched by, that silent adoration which appeals
to his vanity, both as a man of letters and a man of the world. Since
he had seen Ida in her luxurious home, about which there was the same
suspicion of vulgarity that clung about herself, the rigidity of his
principles had amazingly softened.
CHAPTER VI.
AMAURY D’ARGENTON.
Amaury d’Argenton belonged to one of those ancient provincial families
whose castles resembled great farms. Impoverished for the three last
generations, they had finally sold their property, and come to Paris to
seek their fortunes; with little change for the better, however; and
for the last thirty years they had dropped the _De_, which Amaury
ventured to resume on adopting his literary career. He meant to make it
famous, and even was audacious enough to announce this intention aloud.
Public-domain text, read in full here on John Shaqi.
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