Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
This was the reason, then, that he had not left Paris. Two hours after
he had run away from the academy, the fifteen francs of market-money
and his medal had been stolen from him. Then, relinquishing all idea of
Marseilles, of the ship and of the sea, knowing that without his
Gri-gri Dahomey was unattainable, Mâdou had spent eight days and nights
in the lowest depths of Paris, looking for his amulet. Fearing that
Moronval would discover his whereabouts, he hid during the day and
ventured into the streets only after nightfall. He slept by the side of
piles of bricks and mortar, which partly protected him from the wind;
or crawled into an open doorway, or under the arches of a bridge.
Favored by his size and by his color, Mâdou glided about almost unseen;
he had associated with criminals of all classes, and had escaped
without contamination, for he thought only of finding his amulet. He
had shared a crust of bread with assassins, and drank with robbers; but
the little king escaped from these dangers as he had from others in
Dahomey, where, when hunting with Kérika, he had been awakened by the
trumpeting of elephants and the roaring of wild beasts, and saw, under
some gigantic tree, the dim shadow of some strange animal passing
between himself and the bivouac fires; or caught a glimpse of some
great snake slowly winding through the underbrush. But the monsters to
be found in Paris are more terrible even than those in the African
forests; or they would have been, had he understood the dangers he
incurred. But he could not find his Gri-gri. Mâdou could not talk much,
his exhaustion was so great; and Jack fell asleep with his curiosity
but partially satisfied.
In the middle of the night he was awakened suddenly by a shout from
Mâdou, who was singing and talking in his own language with frightful
volubility. Delirium had begun.
In the morning, Dr. Hirsch announced that Mâdou was very ill. “A
brain-fever!” he said, rubbing his hands in glee.
Public-domain text, read in full here on John Shaqi.
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