Child labor -- Fiction; French fiction -- Translations into English; Illegitimate children -- Fiction
How pretty the house was, bathed in the fresh morning light! All the
blinds are still closed, although the dwellers in the cottages are
awake, for he hears a woman’s voice singing,—singing, too, his own
cradle-song, in a fresh, gay voice. Was he dreaming? The blinds were
thrown open, and a woman appeared in a white négligée, with her hair
lightly twisted in a simple knot.
“Mamma, mamma!” cried Jack, in a weak voice.
The lady turned quickly, shaded her eyes from the sun, and saw the poor
little worn and travel-stained lad.
She screamed “Jack!” and in a moment more was beside him, warming him
in her arms, caressing and soothing the little fellow, who sobbed out
the anguish of that terrible night on her shoulder.
CHAPTER IX.
PARVA DOMUS, MAGNA QUIES.
“No, no, Jack; no, dear child; do not be alarmed, you shall never go
back to that school. Did they dare to strike you? Cheer up, dear. I
tell you that you shall never go there again, but shall always be with
me. I will arrange a little room for you to-day, and you will see how
nice it is to be in the country. We have cows and chickens, and that
reminds me the poultry has not yet been fed. Lie down, dear, and rest a
while. I will wake you at dinner-time, but first drink this soup. It is
good, is it not? And to think that while I was calmly sleeping, you
were alone in the cold and dark night. I must go. My chickens are
calling me;” and with a loving kiss Ida went off on tiptoe, happy and
bright, browned somewhat by the sun, and dressed with rather a
theatrical idea of the proprieties. Her country costume had a great
deal of black velvet about it, and she wore a wide-brimmed Leghorn hat,
trimmed with poppies and wheat.
Jack could not sleep, but his bath and the soup prepared by Mère
Archambauld, his mother’s cook, had restored his strength to a very
great degree, and he lay on the couch, looking about him with calm,
satisfied eyes.
There was but little of the old luxury. The room he was in was large,
furnished in the style of Louis XVI., all gray and white, without the
least gilding. Outside, the rustling of the leaves, the cooing of the
pigeons on the roof, and his mother’s voice talking to her chickens,
lulled him to repose.
One thing troubled him: D’Argenton’s portrait hung at the foot of the
bed, in a pretentious attitude, his hand on an open book.
The child said to himself, “Where is he? Why have I not seen him?”
Finally, annoyed by the eyes of the picture, which seemed to pursue him
either with a question or a reproach, he rose and went down to his
mother.
She was busy in the farm-yard; her gloves reached above her elbows, and
her dress, looped on one side, showed her wide striped skirt and high
heels.
Mère Archambauld laughed at her awkwardness. This woman was the wife of
an employé in the government forests, who attended to the culinary
department at Aulnettes, as the house was called where Jack’s mother
lived.
Public-domain text, read in full here on John Shaqi.
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