"Execution, you would say, Sir," added Mrs. Sheppard, with a deep sigh,
perceiving that her benefactor hesitated to pronounce the word. "You
show more consideration to the feelings of a hempen widow, than there is
any need to show. I'm used to insult as I am to misfortune, and am grown
callous to both; but I'm _not_ used to compassion, and know not how to
take it. My heart would speak if it could, for it is very full. There
was a time, long, long ago, when the tears would have rushed to my eyes
unbidden at the bare mention of generosity like yours, Mr. Wood; but
they never come now. I have never wept since that day."
"And I trust you will never have occasion to weep again, my poor soul,"
replied Wood, setting down his lantern, and brushing a few drops from
his eyes, "unless it be tears of joy. Pshaw!" added he, making an effort
to subdue his emotion, "I can't leave you in this way. I must stay a
minute longer, if only to see you smile."
So saying, he re-entered the house, closed the door, and, followed by
the widow, proceeded to the fire-place, where a handful of chips,
apparently just lighted, crackled within the rusty grate.
The room in which this interview took place had a sordid and miserable
look. Rotten, and covered with a thick coat of dirt, the boards of the
floor presented a very insecure footing; the bare walls were scored all
over with grotesque designs, the chief of which represented the
punishment of Nebuchadnezzar. The rest were hieroglyphic characters,
executed in red chalk and charcoal. The ceiling had, in many places,
given way; the laths had been removed; and, where any plaster remained,
it was either mapped and blistered with damps, or festooned with dusty
cobwebs. Over an old crazy bedstead was thrown a squalid, patchwork
counterpane; and upon the counterpane lay a black hood and scarf, a pair
of bodice of the cumbrous form in vogue at the beginning of the last
century, and some other articles of female attire. On a small shelf near
the foot of the bed stood a couple of empty phials, a cracked ewer and
basin, a brown jug without a handle, a small tin coffee-pot without a
spout, a saucer of rouge, a fragment of looking-glass, and a flask,
labelled "_Rosa Solis_." Broken pipes littered the floor, if that can be
said to be littered, which, in the first instance, was a mass of squalor
and filth.
Public-domain text, read in full here on John Shaqi.
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