JACK SHEPPARD
Volume I. (of III.)
A Romance
By W. Harrison Ainsworth
1839
_“Upon my word, friend,” said I, “you have almost made me
long to try what a robber I should make.” “There is a great
art in it, if you did,” quoth he. “Ah! but,” said I,
“there's a great deal in being hanged.”_
_Life and Actions of Guzman d'Alfarache._
[Illustration:008]
[Illustration:009]
ILLUSTRATIONS:
Portrait of the Author to face the Title
Mr. Wood offers to adopt little Jack Sheppard
Jonathan Wild discovers Darrell in the Loft
The Murder on the Thames
The Storm
The Name on the Beam
“May I be cursed if ever I try to be honest again”
Jack Sheppard exhibits a vindictive character
Jack Sheppard accuses Thames Darrell of Theft
EPOCH THE FIRST, 1703, JONATHAN WILD
CHAPTER I. THE WIDOW AND HER CHILD.
On the night of Friday, the 26th of November, 1703, and at the hour
of eleven, the door of a miserable habitation, situated in an obscure
quarter of the Borough of Southwark, known as the Old Mint, was
opened; and a man, with a lantern in his hand, appeared at the
threshold. This person, whose age might be about forty, was attired
in a brown double-breasted frieze coat, with very wide skirts, and a
very narrow collar; a light drugget waistcoat, with pockets reaching
to the knees; black plush breeches; grey worsted hose; and shoes with
round toes, wooden heels, and high quarters, fastened by small silver
buckles. He wore a three-cornered hat, a sandy-coloured scratch wig,
and had a thick woollen wrapper folded round his throat. His clothes
had evidently seen some service, and were plentifully begrimed with
the dust of the workshop. Still he had a decent look, and decidedly
the air of one well-to-do in the world. In stature, he was short and
stumpy; in person, corpulent; and in countenance, sleek, snub-nosed,
and demure.
Immediately behind this individual, came a pale, poverty-stricken
woman, whose forlorn aspect contrasted strongly with his plump and
comfortable physiognomy. She was dressed in a tattered black stuff
gown, discoloured by various stains, and intended, it would seem,
from the remnants of rusty crape with which it was here and there
tricked out, to represent the garb of widowhood, and held in her arms
a sleeping infant, swathed in the folds of a linsey-woolsey shawl.
Public-domain text, read in full here on John Shaqi.
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