While these things were floating in his mind, Mrs. Budd and her handsome
niece were making preparations for passing the night, aided by Biddy
Noon. The old lady was factotum, or factota, as it might be most
classical to call her, though we are entirely without authorities on the
subject, and was just as self-complacent and ambitious of seawomanship
below decks, as she had been above board. The effect, however, gave
Spike great satisfaction, since it kept her out of sight, and left him
more at liberty to carry out his own plans. About nine, however, the
good woman came on deck, intending to take a look at the weather, like
a skilful marineress as she was, before she turned in. Not a little was
she astonished at what she then and there beheld, as she whispered to
Rose and Biddy, both of whom stuck close to her side, feeling the want
of good pilotage, no doubt, in strange waters.
The Molly Swash was still under her canvas, though very little sufficed
for her present purposes. She was directly off Whitestone, and was
making easy stretches across the passage, or river, as it is called,
having nothing set but her huge fore-and-aft mainsail and the jib.
Under this sail she worked like a top, and Spike sometimes fancied she
travelled too fast for his purposes, the night air having thickened the
canvas as usual, until it “held the wind as a bottle holds water.” There
was nothing in this, however, to attract the particular attention of
the ship-master's widow, a sail, more or less, being connected with
observation much too critical for her schooling, nice as the last had
been. She was surprised to find the men stripping the brig forward,
and converting her into a schooner. Nor was this done in a loose and
slovenly manner, under favour of the obscurity. On the contrary, it
was so well executed that it might have deceived even a seaman under a
noon-day sun, provided the vessel were a mile or two distant. The manner
in which the metamorphosis was made was as follows: the studding-sail
booms had been taken off the topsail-yard, in order to shorten it to the
eye, and the yard itself was swayed up about half-mast, to give it the
appearance of a schooner's fore-yard. The brig's real lower yard was
lowered on the bulwarks, while her royal yard was sent down altogether,
and the topgallant-mast was lowered until the heel rested on the topsail
yard, all of which, in the night, gave the gear forward very much the
appearance of that of a fore-topsail schooner, instead of that of a
half-rigged brig, as the craft really was. As the vessel carried
a try-sail on her foremast, it answered very well, in the dark, to
represent a schooner's foresail. Several other little dispositions of
this nature were made, about which it might weary the uninitiated to
read, but which will readily suggest themselves to the mind of a sailor.
Public-domain text, read in full here on John Shaqi.
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