Great Britain -- History -- 19th century -- Juvenile fiction
Produced by Juliet Sutherland and Sankar Viswanathan
JACKANAPES
By
JULIANA HORATIO EWING
Illustrated by
Amy Sacker
BOSTON
L. C. PAGE and COMPANY
(INCORPORATED)
COPYRIGHT, 1895
BY
JOSEPH KNIGHT COMPANY
* * * * *
CONTENTS
CHAPTER I.
"Last noon beheld them full of life,
Last eve in beauty's circle proudly gay."
CHAPTER II.
"And he wandered away and away
With Nature, the dear old nurse."
CHAPTER III.
"If studious, copie fair what time hath blurred,
Redeem truth from his jawes."
CHAPTER IV.
"Greater love hath no man than this, that a man
lay down his life for his friends."
CHAPTER V.
"Then, said he, 'I am going to my Father's.'"
CHAPTER VI.
"Und so ist der blaue Himmel groesser als jedes
Gewoelk darin, und dauerhafter dazu."
* * * * *
ILLUSTRATIONS
"BUT SHE REMEMBERED THE LITTLE MISS JESSAMINE" _Frontispiece_
TITLEPAGE
"NEXT DAY JANE HAD HEARD MORE"
AT THE POND
"JACKANAPES COULD HARDLY SLEEP FOR SPECULATING"
"HE WAS DISPOSED TO TALK CONFIDENTIALLY"
THE GENERAL'S GRANDSON
THE BOY TRUMPETER
TAILPIECE
FINIS
* * * * *
"_If I might buffet for my love, or bound my horse for her
favors, I could lay on like a butcher, and sit like a
Jackanapes, never off_!"
KING HENRY V, Act 5, Scene 2.
* * * * *
JACKANAPES
CHAPTER I.
Last noon beheld them full of lusty life,
Last eve in Beauty's circle proudly gay,
The midnight brought the signal sound of strife,
The morn the marshalling in arms--the day
Battle's magnificently stern array!
The thunder clouds close o'er it, which when rent
The earth is covered thick with other clay,
Which her own clay shall cover, heaped and pent,
Rider and horse:--friend, foe,--in one red burial blent.
Their praise is hymn'd by loftier harps than mine:
Yet one would I select from that proud throng.
---- to thee, to thousands, of whom each
And one as all a ghastly gap did make
In his own kind and kindred, whom to teach
Forgetfulness were mercy for their sake;
The Archangel's trump, not glory's, must awake
Those whom they thirst for.--BYRON.
Public-domain text, read in full here on John Shaqi.
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