Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
The most ancient forms of measurement have, therefore, been taken from
the length of the several subdivisions of the hand. The capability
of the hand of assuming the hollow shape of a spoon, and of being
stretched like a shovel, determines its use for gathering and for
turning up matter. The curvature of the fingers forms a strong and
broad hook, which renders excellent service in climbing; and the thumb,
whose position enables it to be placed opposite all the other fingers,
acts in conjunction with the latter like a pair of pincers, capable of
seizing and feeling smaller objects. The thumb being easily moveable
and strong at the same time, is a privilege of the human hand. It
powerfully opposes itself against the other fingers into the _fist_,
for the seizing and holding of heavy objects. In doing this the thumb
indeed performs almost as much as the remaining fingers taken together;
it represents one half of a pair of pincers, wherefore _Albin_ has
called it _Manus parva_.
The unequal length of the fingers is well adapted for the taking hold
of spherical forms, and the fingers being bent towards the hollow of
the hand and held together, encloses an empty space, which is shut by
the thumb serving as a lid. The wrist of the hand, having a circular
shape, and being composed of several bones, is much less exposed to
the danger of being broken, than if one single curved bone were to
take its place. Its cavity, which by _strong transversal ligaments_ is
transformed into a ring, protects the bending tendons of the fingers
from pressure and friction. The firm connection between the middle hand
and the wrist renders possible the actions of _stemming_ and _hurling_
with the hands, and the longitudinal curve of the separate bones of
the middle hand, as well as their lying one at the side of the other,
and convexly towards the back of the hand, facilitates the forming of
the cavity of the hand. The great moveability of the fingers, and the
many possible combinations of their relative positions, have made them
the instruments of language by signs. The deep slits separating them
allow of folding the hands, in order to press with double force, and
the bending of the two last finger-joints, which can only take place
at an angle, imparts to the clenched fist a force which once usurped
the place of right. How necessary the joint action of both hands is for
certain performances is proved by the old proverb: _Manus manum lavat_.
In short, all the thousandfold occupations of the hand which necessity
commands and the mind develops, and which are an exclusive prerogative
of man, become practicable through the wonderful structure of this
instrument.[1]
As regards the system of the gymnastic training of the fingers in
particular, which I am now placing before the public, it is founded on
an important fact, namely, the action of the LIGAMENTS AND TENDONS.
Public-domain text, read in full here on John Shaqi.
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