Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
To convince yourself that this opinion is correct, extend your fingers
for two minutes only with the cylinders alluded to, and you will find
that the fingers instantaneously move much more easily, and that the
muscles, liberated from their tight, stiff neighbours, act with much
greater freedom.
In the same manner as with the cylinders, the greatest advantage may be
experienced from the use of the gymnastic staff or stick.
The principle on which these movements are founded is, that by them
almost all the muscles of the hand and the fingers, the smallest as
well as the largest, which in playing musical instruments and all the
other occupations of the fingers bear the chief part, are stirred
into action. At the same time, the extraordinary effect of the free
exercises on the large finger-joints and on the ligaments and tendons
is increased. And further—every portion of the hand and fingers,
ligaments, tendons, joints, and particularly the muscles, are well
practised, strengthened, and rendered flexible, by the fingers being
stretched and extended on, pressed and exercised against, a solid body.
Finally, while imparting to the muscles of the fingers and hand far
greater strength and ease than the continued quick movement on the
musical instrument is calculated to affect, all these exercises affect
the _nerves_ in a lesser degree, and prepare the fingers for all kinds
of work.
These results, observed and tested by me countless times, are of the
greatest importance to all those who work with their fingers, but
more particularly to those engaged in musical pursuits, who, instead
of being overwhelmed with fatiguing work as before, will find that by
these exercises their studies are facilitated and divested of much of
their previous trouble and vexation.
THE WRIST.
This joint, which for players on the piano and other instruments
is of such great importance (Fig. 2 _c_), should also be exercised
gymnastically; since, by means of the gymnastic exercises here
recommended, strength and flexibility will be gained in a very short
time, and a great deal of trouble saved. Nor ought it to be overlooked
that for all those who work with their fingers, a flexible, pliant
wrist is a great help, and that by it all the joints of the hand are
made to act harmoniously together.
FOOTNOTES:
[4] Anatomists and physicians of great eminence have observed to me,
“Your anatomical researches have solved some important questions long
held in dispute by physiologists, and are of great practical value.”
CHAPTER IV.
NEGLECT HITHERTO OF THE HAND AND FINGERS.
Public-domain text, read in full here on John Shaqi.
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