Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
For a detailed account of the circumstances under which this system
was discovered, I refer to the Introductory Remarks, wherein I have
explained the process of reasoning and the series of experiments,
which enabled me to arrive at the results I have now the pleasure of
submitting to the consideration of my countrymen; more especially to
all those among them who are engaged in musical pursuits, or any other
work requiring the constant use of the fingers.
I may simply state that both the scientific principles and the
practical utility of this system of Gymnastics—, after having been
subjected to the test of numerous experiments—, have met with the
approval of the highest anatomical, musical, and gymnastic authorities
of Germany; at whose special solicitation I was induced to make these
discoveries known by means of public and private lectures—, delivered
gratis in the German language in many German cities—, during a journey
undertaken at my own expense, in the course of the summer of 1864.
I gladly avail myself of this opportunity to return my best thanks
to Professors Hyrtl, Virchow, Hermann Meyer, and Griesinger; to
Drs Richter, C. C. Carus, J. V. Carus, Berend, and Angerstein; to
Professors Moscheles, Kullak, Stern, Geyer, Kittl, Joachim, and
Lauterbach; to Capellmeister Taubert, Ferdinand Hiller, Lachner,
Strauss, Abenheim, Täglichsbeck, and Meyer; to Concertmeister F.
Schubert, Carl Baermann, Scholtz, Singer, Grün, and many others whom
space precludes me from mentioning here,—for the assistance they have
given me, and for the kind and favourable reception which they, the
press, and the public generally, gave to my lectures.
And I indulge the hope that this little work may meet with the same
approval from the medical, musical, and gymnastic authorities in this
country, and be a means of practical utility among those for whom it is
more particularly intended.
In all the gymnastic establishments throughout Europe and the civilized
world, gymnastic exercises have been introduced for every part of
the body _except for the Fingers_, notwithstanding that it is these
important members of the human frame—with the mental organs—which
chiefly distinguish Man from the Brute creation.
Therefore I venture to dedicate to the public—, “Gymnastics for the
development of the Muscles, Ligaments, and Joints of the Fingers and
Hand”—, specially adapted to
Musicians of all classes,
Authors, and all who are occupied much in writing,
Artists and Draughtsmen,
Printers and Compositors,
Lithographers and Engravers on steel and copper,
Workers in ivory and wood,
Watch-makers and fine Mechanicians.
Spinners and Weavers, for
All female handiwork, for
Surgical and anatomical processes, for the treatment of rheumatism,
contortions, and other diseases of the Fingers and Hand,—and for
All those who require a flexible Hand, or who earn their bread with
their Fingers.
EDWIN W. JACKSON.
_September_, 1865.
CONTENTS.
Public-domain text, read in full here on John Shaqi.
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