Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams — John Shaqi
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagramsJackson, Edwin Ward
Science
Jackson's Gymnastics for the Fingers and Wrist: being a system of gymnastics, based on anatomical principles, for developing and strengthening the muscles of the hand for musical, mechanical and medical purposes: with thirty-seven diagrams
Jackson, Edwin Ward
Hand exercises; Musical instruments -- Instruction and study
MECHANICAL FINGER-EXERCISES (CONTINUED).
It is not sufficient to play the ordinary finger-exercises and scales.
As has been shown in the opening chapters, and in the anatomical
representations of the hand, all the fingers are not equally strong;
for instance, the 4th and 5th fingers are, by nature, much weaker than
the others, and it is necessary to remedy this inequality.
Each finger ought, therefore, to have gymnastic exercises _for itself_,
and they ought to be performed on some solid body, which can be firmly
grasped. For this purpose take a round staff, from 12 to 18 inches
long, and half to three quarters of an inch thick, on which, at a
proper distance from one another, round indentations are made, and
into which the fingers are to be placed after the manner illustrated in
the adjoining and following figures.
[Illustration: The staff]
_Directions._
Place the thumb of each hand on one side, and the four fingers _very
firmly_ fixed on the other side of the staff; _raise one finger as high
as possible_, and let it fall down vigorously, like a hammer, 20 times
in succession, while the three remaining fingers, _stretched out from
one another_, like claws, remain immoveable. In the same way exercise
the other fingers; firmly, _slowly_, vigorously, and immediately after
the cylinder exercises just described. Repeat this three times daily,
each time for five minutes, altogether for 15 minutes a day, _but the
oftener it be done the better_.
Those playing the piano need not confine themselves to one particular
exercise, but may make use of all the figures at pleasure.
[Illustration: Fig. 32.
Fig. 31.]
[Illustration: Fig. 33.]
The fingers of the left hand may also be trained for violin playing, as
seen in Fig. 35.
[Illustration: Fig. 35.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account