for a new edition of Behmen in English, William Law had re-translated and paraphrased _The Supersensual Life_, and the editor of the 1781 edition of Behmen's works has incorporated Law's beautiful rendering of that tract in room of JOHN SPARROW'S excellent but rather too antique rendering. We are in John Sparrow's everlasting debt for the immense labour he laid out on Behmen, as well as for his own deep piety and personal worth. But it was service enough and honour enough for Sparrow to have Englished Jacob Behmen at all for his fellow-countrymen, even if he was not able to English him as William Law would have done. But take Behmen and Law together, as they meet together in _The Supersensual Life_, and not A Kempis himself comes near them even in his own proper field, or in his immense service in that field. There is all the reality, inwardness, and spirituality of _The Imitation_ in _The Supersensual Life_, together with a sweep of imagination, and a grasp of understanding, as well as with both a sweetness and a bitterness of heart that even A Kempis never comes near. _The Supersensual Life_ of Jacob Behmen, in the English of William Law, is a superb piece of spiritual work, and a treasure-house of masculine English. (If Christopher Walton is right, we must read 'Lee' for 'Law' in this passage. If Walton is right, then there was a master of English in those days we had not before been told of.) _A Treatise of the Four Complexions_, or _A Consolatory Instruction for a Sad and Assaulted Heart_, was Behmen's next book. The four complexions are the four temperaments--the choleric, the sanguine, the phlegmatic, and the melancholy. Behmen's treatise has been well described by Walton as containing the philosophy of temptation; and by Martensen as displaying a most profound knowledge of the human heart. Behmen sets about his task as a _ductor dubitantium_ in a masterly manner. He takes in hand the comfort and direction of sin-distressed souls in a characteristically deep, inward, and thorough-going way. The book is full of Behmen's observation of men. It is the outcome of a close and long-continued study of character and conduct. Every page of _The Four Complexions_ gleams with a keen but tender and wistful insight into our poor human nature. As his customers came and gave their orders in his shop; as his neighbours collected, and gossiped, and debated, and quarrelled around his shop window; as his minister fumed and raged against him in the pulpit; as the Council of Goerlitz sat and swayed, passed sentence upon him, retracted their sentence, and again gave way under the pressure of their minister, and pronounced another sentence,--all this time Behmen was having poor human nature, to all its joints and marrow, and to all the thoughts and instincts of its heart, laid naked and open before him, both in other men and in himself. And then, as always with Behmen, all this observation of men, all this