England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
Yet five minutes after she had passed the statue of Achilles she had the
rapt look of one brushing through crowds on a summer's afternoon, when
the trees are rustling, the wheels churning yellow, and the tumult of
the present seems like an elegy for past youth and past summers, and
there rose in her mind a curious sadness, as if time and eternity showed
through skirts and waistcoasts, and she saw people passing tragically to
destruction. Yet, Heaven knows, Julia was no fool. A sharper woman at a
bargain did not exist. She was always punctual. The watch on her wrist
gave her twelve minutes and a half in which to reach Bruton Street. Lady
Congreve expected her at five.
The gilt clock at Verrey's was striking five.
Florinda looked at it with a dull expression, like an animal. She looked
at the clock; looked at the door; looked at the long glass opposite;
disposed her cloak; drew closer to the table, for she was pregnant--no
doubt about it, Mother Stuart said, recommending remedies, consulting
friends; sunk, caught by the heel, as she tripped so lightly over the
surface.
Her tumbler of pinkish sweet stuff was set down by the waiter; and she
sucked, through a straw, her eyes on the looking-glass, on the door, now
soothed by the sweet taste. When Nick Bramham came in it was plain, even
to the young Swiss waiter, that there was a bargain between them. Nick
hitched his clothes together clumsily; ran his fingers through his hair;
sat down, to an ordeal, nervously. She looked at him; and set off
laughing; laughed--laughed--laughed. The young Swiss waiter, standing
with crossed legs by the pillar, laughed too.
The door opened; in came the roar of Regent Street, the roar of traffic,
impersonal, unpitying; and sunshine grained with dirt. The Swiss waiter
must see to the newcomers. Bramham lifted his glass.
"He's like Jacob," said Florinda, looking at the newcomer.
"The way he stares." She stopped laughing.
Jacob, leaning forward, drew a plan of the Parthenon in the dust in Hyde
Park, a network of strokes at least, which may have been the Parthenon,
or again a mathematical diagram. And why was the pebble so emphatically
ground in at the corner? It was not to count his notes that he took out
a wad of papers and read a long flowing letter which Sandra had written
two days ago at Milton Dower House with his book before her and in her
mind the memory of something said or attempted, some moment in the dark
on the road to the Acropolis which (such was her creed) mattered for
ever.
"He is," she mused, "like that man in Moliere."
She meant Alceste. She meant that he was severe. She meant that she
could deceive him.
"Or could I not?" she thought, putting the poems of Donne back in the
bookcase. "Jacob," she went on, going to the window and looking over the
spotted flower-beds across the grass where the piebald cows grazed under
beech trees, "Jacob would be shocked."
Public-domain text, read in full here on John Shaqi.
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