England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
Like the antennae of some irritable insect it positively trembled. Here
was that woman moving--actually going to get up--confound her! He struck
the canvas a hasty violet-black dab. For the landscape needed it. It was
too pale--greys flowing into lavenders, and one star or a white gull
suspended just so--too pale as usual. The critics would say it was too
pale, for he was an unknown man exhibiting obscurely, a favourite with
his landladies' children, wearing a cross on his watch chain, and much
gratified if his landladies liked his pictures--which they often did.
"Ja--cob! Ja--cob!" Archer shouted.
Exasperated by the noise, yet loving children, Steele picked nervously
at the dark little coils on his palette.
"I saw your brother--I saw your brother," he said, nodding his head, as
Archer lagged past him, trailing his spade, and scowling at the old
gentleman in spectacles.
"Over there--by the rock," Steele muttered, with his brush between his
teeth, squeezing out raw sienna, and keeping his eyes fixed on Betty
Flanders's back.
"Ja--cob! Ja--cob!" shouted Archer, lagging on after a second.
The voice had an extraordinary sadness. Pure from all body, pure from
all passion, going out into the world, solitary, unanswered, breaking
against rocks--so it sounded.
Steele frowned; but was pleased by the effect of the black--it was just
THAT note which brought the rest together. "Ah, one may learn to paint
at fifty! There's Titian..." and so, having found the right tint, up he
looked and saw to his horror a cloud over the bay.
Mrs. Flanders rose, slapped her coat this side and that to get the sand
off, and picked up her black parasol.
The rock was one of those tremendously solid brown, or rather black,
rocks which emerge from the sand like something primitive. Rough with
crinkled limpet shells and sparsely strewn with locks of dry seaweed, a
small boy has to stretch his legs far apart, and indeed to feel rather
heroic, before he gets to the top.
But there, on the very top, is a hollow full of water, with a sandy
bottom; with a blob of jelly stuck to the side, and some mussels. A fish
darts across. The fringe of yellow-brown seaweed flutters, and out
pushes an opal-shelled crab--
"Oh, a huge crab," Jacob murmured--and begins his journey on weakly legs
on the sandy bottom. Now! Jacob plunged his hand. The crab was cool and
very light. But the water was thick with sand, and so, scrambling down,
Jacob was about to jump, holding his bucket in front of him, when he
saw, stretched entirely rigid, side by side, their faces very red, an
enormous man and woman.
An enormous man and woman (it was early-closing day) were stretched
motionless, with their heads on pocket-handkerchiefs, side by side,
within a few feet of the sea, while two or three gulls gracefully
skirted the incoming waves, and settled near their boots.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account