England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
Life would split asunder without them. "Come to tea, come to dinner,
what's the truth of the story? have you heard the news? life in the
capital is gay; the Russian dancers...." These are our stays and props.
These lace our days together and make of life a perfect globe. And yet,
and yet ... when we go to dinner, when pressing finger-tips we hope to
meet somewhere soon, a doubt insinuates itself; is this the way to spend
our days? the rare, the limited, so soon dealt out to us--drinking tea?
dining out? And the notes accumulate. And the telephones ring. And
everywhere we go wires and tubes surround us to carry the voices that
try to penetrate before the last card is dealt and the days are over.
"Try to penetrate," for as we lift the cup, shake the hand, express the
hope, something whispers, Is this all? Can I never know, share, be
certain? Am I doomed all my days to write letters, send voices, which
fall upon the tea-table, fade upon the passage, making appointments,
while life dwindles, to come and dine? Yet letters are venerable; and
the telephone valiant, for the journey is a lonely one, and if bound
together by notes and telephones we went in company, perhaps--who
knows?--we might talk by the way.
Well, people have tried. Byron wrote letters. So did Cowper. For
centuries the writing-desk has contained sheets fit precisely for the
communications of friends. Masters of language, poets of long ages, have
turned from the sheet that endures to the sheet that perishes, pushing
aside the tea-tray, drawing close to the fire (for letters are written
when the dark presses round a bright red cave), and addressed themselves
to the task of reaching, touching, penetrating the individual heart.
Were it possible! But words have been used too often; touched and
turned, and left exposed to the dust of the street. The words we seek
hang close to the tree. We come at dawn and find them sweet beneath the
leaf.
Public-domain text, read in full here on John Shaqi.
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